Distribution and Exhibition a. Except as set forth in Section 7(c) below, FSN has the exclusive rights to use, televise and otherwise exploit the Programs in the United States and its territories, possessions, commonwealths and military installations (the “Domestic Territory”) during the Term. FSN shall use commercially reasonable efforts to initially telecast each Program produced pursuant to Section 2(a) (i.e., thirteen (13) Test Programs in the Test Period and forty (40) hours of Programs each Year of the Regular Term) in a minimum of fifty million (50,000,000) homes on regional sports networks carrying FSN programming (“Regionals”). FSN shall use commercially reasonable efforts to clear the initial telecast of each Program on the Regionals on Saturday nights between 11:00 p.m. and 1:00 a.m. (local time) with a tentative premiere date for the first Program in the Test Period during August or September, 2008. FSN will re-telecast each Program at least two (2) times in addition to the initial telecast. If a Regional that is clearing a Program is unable to clear such Program as set forth above, FSN shall use commercially reasonable efforts to ensure that such Regional clears such Program during a similar time period or as close to the time period as reasonably practicable. Such schedule may be preempted by prior Regionals commitments, live event programming, or other programming. For avoidance of doubt, FSN shall have the unlimited right, but no obligation, to re-telecast each Program, or any portion thereof, at various times, on any Fox-affiliated programming service or by any other means of distribution within the Domestic Territory. As used in this Section, “commercially reasonable efforts” shall not mean that FSN is relieved of its clearance or time placement obligations under this Section in order to take commercial advantage of the clearance and time slots anticipated for airing of the Programs (e.g., deal shopping).
Distribution and Exhibition. Trade and charade in cinemas and film formats Mobile cinemas, called layar tancep (literally ‘screens stuck in the ground’), were open-air film screenings which usually operated in villages at the fringes of cities or in remote areas. People hired layar tancep to enliven all kinds of festivities, for example wedding parties or circumcision ceremonies. Because mobile cinemas were able to reach remote areas, they were also used to convey public service announcements or make known government political policies. After the resignation of President Xxxxxxxx on 21 May 1998, Indonesia was intensely caught up in the spirit of Reformasi. Reform was either negotiated or forcibly implemented in every possible field. In this setting the make-up, and at times even the existence, of some of the professional film organizations was called into question. Depending on their records of internal disputes, some organizations were reformed by replacing the former top with new leaders. In other cases, organizations were divided into different alliances, mostly consisting of those supporting the old system opposed to those wanting to reform it. Hifki, the mobile film organization headed by Xxxxx Xxxxxx, was an example of such a new division which was founded during Reform, forged in a crucible of internal disputes and personal interests. Hifki was a secession from the Association of Indonesian Mobile Cinema Screening Companies Film mediation practices (Persatuan Pengusaha Pertunjukan Film Keliling Indonesia, Perfiki), to which Xxxxxx had been appointed the Secretary-General in 1996. The original mobile cinema organization was founded in 1974 and before 1993, when it was granted official recognition as one of the New Order professional film organizations, it was mostly disregarded by the state. Despite many years of official disinterest, mobile cinema was an important part of the system of film distribution and exhibition in Indonesia, particularly given the share of film audiences which was reached by this medium. Xxxxxxx Xxx mentioned a sample survey of thirteen provincial capitals in 1971, which showed that 11 per cent of those surveyed had seen films at mobile cinemas. It was estimated that by the late 1970s, mobile cinemas were regularly visiting at least 80 per cent of villages in Indonesia (Sen 1994:72). The mobile cinema organization Perfiki had branches and representatives in sixteen regions, mostly situated in Java. According to Perfiki data, in 1993 there were around 200...
Distribution and Exhibition. Licensor will deliver the Programs at Licensor’s sole cost and expense in a manner and format designated by Comcast, together within any metadata, including, without limitation, closed captioning and video descriptions for the visually impaired, required by Comcast and/or any applicable laws, rules, regulations and/or orders. Comcast shall in its discretion determine (a) which Programs, if any, to make available and to which subscribers; (b) the categorization and placement of such Programs in applicable menus and user interfaces, and (c) whether to include, and the content and format of any, disclaimers before, during or after the Programs.
Distribution and Exhibition. Licensor will deliver the Programs at Licensor’s sole cost and expense in a manner and format designated by BarberTime, together within any metadata, including, without limitation, closed captioning and video descriptions for the visually impaired, required by BarberTime and/or any applicable laws, rules, regulations and/or orders. BarberTime shall in its discretion determine (a) which Programs, if any, to make available and to which subscribers; (b) the categorization and placement of such Programs in applicable menus and user interfaces, and (c) whether to include, and the content and format of any, disclaimers before, during or after the Programs.
Distribution and Exhibition. 8.1. Comcast shall make continuously available on a DHE basis all New Releases on all Systems and Licensed Services throughout the Term. Comcast shall have the right, in its sole discretion, to elect which Library Pictures and Episode assets to make available on a DHE basis on any Systems and/or any Licensed Services (each such Included Program asset, “Selected Content”).New Releases. During each twelve (12) month period during the Term beginning with the Effective Date, provided that Comcast is then-distributing video content on a DHE basis, Comcast shall select all widely theatrically released New Releases as Selected Content and make available for sale such widely theatrically released New Releases on a DHE basis in the Territory for a time period of no shorter than sixty (60) days following the date on which Comcast first makes each such asset available for sale on a DHE basis.
Distribution and Exhibition. (a) (i) HBO is hereby granted the irrevocable, sole and exclusive right to cause to or to itself distribute, transmit, display, exhibit, exploit, project, license, simulcast and perform each Program, or any portion thereof (collectively "distribute" or "distribution", as applicable) by any and all means, uses and media now or hereafter known, in any and all languages, without limitation as to the number of exhibitions or Exhibition Days, including without limitation, distribution by means of Non-Standard Television, Standard Television, and for Ancillary Uses throughout the Territory in perpetuity, but excluding Consumer Video Devices and Non-Theatrical Distribution.
Distribution and Exhibition. To enhance the distribution and promotion of the co-produced audiovisual works in their territories the parties shall use their best efforts and means available to:
Distribution and Exhibition. (a) CART hereby grants to ESPN the exclusive right through December 31, 1998 (the "Exclusive Period") and the nonexclusive right thereafter and in perpetuity to distribute, transmit, exhibit, license, advertise, promote, publicize and perform (hereinafter distribute") each Event as incorporated by ESPN in each Program and any constituent elements thereof throughout the universe other than in Australia, Brazil, Canada and New Zealand (the "Territory") by any and all means, uses and media now known or hereafter developed (other than standard AM or FM radio ("Radio"), which is reserved to CART) without limitation as to the number of exhibitions. CART will provide ESPN with the first opportunity to acquire distribution rights as described above in any or all of Australia, Brazil, Canada and New Zealand if in the future such rights become available. If ESPN declines to acquire such rights, CART may not thereafter license such rights or any part thereof on terms less favorable to CART than those offered by ESPN. After the lapse of the Exclusive Period, each party will endeavor to consult with the other prior to undertaking any material exploitation of the Programs and CART, in any case, shall be responsible for paying any union or guild obligations of ESPN which may arise as a consequence of CART's distribution of any Program.
Distribution and Exhibition. (a) CART hereby grants to ESPN the exclusive right through December 31, 1998 (the "Exclusive Period") and the nonexclusive right thereafter and in perpetuity to distribute, transmit, exhibit, license, advertise, promote, publicize and perform (hereinafter distribute") each Event as incorporated by ESPN in each Program and any constituent elements thereof throughout the universe other than in Australia, Brazil, Canada and New Zealand (the "Territory") by any and all means, uses and media now known or hereafter developed (other than standard AM or FM radio ("Radio"), which is
Distribution and Exhibition
