DANCERS Sample Clauses

DANCERS. A. Minimum Compensation 01/01/24 01/01/25 B. Protection Of Performers; Special Conditions a. Standard Floors: Floors for choreographed dancers must be resilient, flexible and level in accordance with industry standards. Industry standards generally provided for 1" of airspace beneath wood flooring or 3" or 4" of padding under battleship linoleum laid over a concrete or wood-on-concrete floor. Floor surfaces must be clean and free of splinters, wax, nails, etc. Floors should be swept and mopped at least daily with a germ-killing solution. If Employer requires dancing on surfaces which do not meet these standards, the work shall be deemed to be “hazardous work” and shall be subject to all the hazardous work provisions of the Agreement.
DANCERS. The specific dates of commencement and conclusion of each leave will be determined by the Artistic Director, in consultation with the Dancer, taking into account the Dancer’s ability to continue performing while pregnant or after child-birth, as well as the individual health and personal needs of the Dancer. The Artistic Director will consider opportunities for the Artist to continue performing in a limited capacity (such as walk-on roles), and make best efforts to accommodate the Dancer as long as possible prior to commencing the pregnancy leave.
DANCERS. 1. Definition — Dancers The term “dancers” shall be deemed to include both swimmers and skaters when the performance of the latter two is choreographed. 2. Working Conditions (a) Standard Floors — Floors for choreographed dancers must be resilient, flexible and level in accordance with industry standards. Industry standards generally provide for 2” of air space beneath wood flooring or 3” or 4” of padding under battleship linoleum laid over a concrete or wood-on-concrete floor. Floor surface must be clean and free of splinters, wax, nails, etc. Floors should be swept and mopped at least daily with a germ-killing solution. If Producer requires dancing on surfaces which do not meet the foregoing general standards, such work shall be deemed to be “hazardous work” and shall be subject to all the provisions of this Contract concerning hazardous work and performers’ safety. In all instances, dancing on concrete, raked stages, elevated platforms or staircases or performing knee work shall be deemed to be “hazardous work” and shall be subject to all the provisions of this Contract concerning hazardous work and performers’ safety. As used herein, “knee work” means dancing, sliding or doing a routine on the knees and includes rolling, spinning, falling, balancing, hinging, walking, turning and/or performing a choreographed routine in which the knee comes in contact with the surface, e.g., floor, sidewalk, etc. Dancers will not be required to do knee work without knee pads. (b) In the event that dancers will be required to perform on a non-standard surface, notification of such shall be given at the time of audition and engagement.
DANCERS. 16.1. MANAGEMENT agrees to engage DANCERS working under the jurisdiction of this Agreement for all productions requiring dancers occurring during the term of this Agreement. 16.2. Dance roles including designation of SOLO DANCER roles shall be determined in consultation with the AGMA Representative designated by AGMA at the time contracts are offered.
DANCERS. DANCERS shall be engaged as either a SOLO DANCER or a CORPS DANCER either on a weekly basis or on a single performance basis and on the terms as hereinafter set forth. A. DANCERS ENGAGED ON EITHER A WEEKLY OR PERFORMANCE BASIS (1) SCHEDULING: (a) No rehearsal shall be called for less than two (2) hours, except in emergencies. (b) After the DANCER is dismissed from rehearsal, they may not be recalled for further rehearsal on the same day earlier than one (1) hour from the time of such dismissal. If the DANCER is dismissed from rehearsal and is recalled for further rehearsal within one (1) hour of the time of such rehearsal, then such intervening time between dismissal and recall shall be counted as if the DANCER has rehearsed. (c) No rehearsal shall be scheduled within two (2) hours of any performance. (d) During rehearsal weeks, the DANCER may be called upon to rehearse not more than thirty (30) hours per week and not more than five (5) hours per day. (2) DANCER AS CHOREOGRAPHER. Any DANCER who performs the services of a Choreographer in addition to that of a DANCER shall be paid both fees, either at weekly rate or the single performance rate, as the case may be. (3) COSTUMES, WIGS, SHOES (a) MANAGEMENT agrees to supply the DANCER with costumes (including dance briefs, dance belts, and tights - new for each production - labeled with Dancer’s name), wigs and shoes for all performances and dress rehearsals. (b) MANAGEMENT shall provide shoes (character shoes, jazz shoes, and ballet slippers) for the first rehearsal, when possible. (c) In cases where a DANCER is required to use their own shoes for rehearsals or performances, the DANCER shall receive $15.00 per week for each week in which DANCER's own shoes are used, in addition to all other compensation. (d) Pointe shoes - If pointe work is required, it shall be included on any audition notice. Information regarding the stage and rehearsal flooring, as well as the appropriate number of pointe shoes the DANCER will require, will be discussed with each DANCER undertaking pointe work prior to the first rehearsal. MANAGEMENT shall make pointe shoes available at ▇▇▇ ▇▇▇▇▇ ▇▇▇▇▇, ▇▇▇▇▇ ▇▇, ▇▇▇ ▇▇▇▇▇▇, ▇▇▇▇▇, to DANCERS, including Covers/Swings, at least one (1) week prior to the start of the first day of rehearsal for productions in which pointe work occurs in order to ensure adequate time to prepare the shoes for rehearsal and performance. (i) In cases where MANAGEMENT is unable to obtain Pointe Shoes in time for ...
DANCERS. Modify the first sentence of Section 6.B. of Schedule J of the SAG Codified Basic Agreement to read as follows:
DANCERS. Section Four of the 2011-2014 Collective Bargaining Agreement shall be amended to provide as follows: 1. The Met shall provide daily company class, at no cost to the Dancers, at least four
DANCERS. 1. If an individual is required to work a Sunday performance, he/she will be given another day off during the week (not necessarily Monday). If the Met cannot find another free day for the individual, Sunday work rules will apply to the Monday rehearsal. 2. An individual cannot be required to work more than seven (7) consecutive days. If required to do so, he/she will receive double the hourly rate for all services performed on the eighth day. 3. Notwithstanding anything to the contrary in F.1 and F.2. above, when calculating whether an individual has worked seven (7) consecutive days, a penalty day under paragraph I.1. will not be counted toward that total. 4. Eliminate Third (C) (b)(ii) for Sunday performances (i.e., dancers will be paid for dressing and undressing time on Sundays).
DANCERS. The Group Dancers 6 to 8 and 9 or more are combined into one group of 6 or more, all paid at the 6-8 rate.
DANCERS. (A) Weekly As of As of As of As of As of Max # 8/1/2019 8/1/2020 8/1/2021 8/1/2022 8/1/2023 of Perf Solo Dancers $1,010.63 $1,028.32 $1,048.89 $1,075.11 $1,107.36 6 Ballet Master $1,010.63 $1,028.32 $1,048.89 $1,075.11 $1,107.36 6 Corps Dancers $725.52 $738.22 $752.98 $771.80 $794.95 7 (36)]: