Posting of Calls, Performance Schedules and Casting Sample Clauses

Posting of Calls, Performance Schedules and Casting. ‌ The rehearsal call for the next day must be posted before the end of the rehearsal day, or when the company is also performing, before the half-hour call. It is the Artist's responsibility to find out when the Artist’s next call will be. If the Artist’s next scheduled call is changed, it is the responsibility of the Engager to notify the Artist no later than the night before the call. Failure to do so shall mean that an Artist appearing for the call as previously scheduled shall be deemed to be working. The complete cast list for an opera, operetta or musical theatre, with performance dates for each Artist, shall be posted on the call board, at least, six (6) days in advance of the first public performance and, in any event, before this information is released to the box office or news media.
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Posting of Calls, Performance Schedules and Casting. ‌ On the first day of engagement, the Engager shall provide the Artist with a tentative rehearsal schedule which outlines anticipated rehearsal calls (blocks of time) for the entire rehearsal period. The rehearsal call for the next day must be provided to the Artist no later than one (1) hour after the end of the last rehearsal block of the rehearsal day, or when the company is also performing, before the half-hour call. The rehearsal call shall be provided to each Artist. It is the Artist's responsibility to provide the Engager with up to date contact information and in cases where the notice is not received to contact the Engager to find out when the Artist's next call will be. If the Artist's next scheduled call is changed, it is the responsibility of the Engager to notify the Artist no later than the night before the call. Failure to do so shall mean that an Artist appearing for the call as previously scheduled shall be deemed to be working. The complete cast list for an opera, operetta or musical theatre, with performance dates for each Artist, shall be posted on the call board, at least, six (6) days in advance of the first public performance and, in any event, before this information is released to the box office or news media.
Sample 1Sample 2
Posting of Calls, Performance Schedules and Casting. The rehearsal call for the next day must be posted before the end of the rehearsal day, or when the company is also performing, before the half-hour call. It is the Artist's responsibility to find out when the Artist’s next call will be upon being released from rehearsal or performance. The Engager will provide a telephone service (live or recorded) which the Artist may use to ascertain or verify prior to 11:00 p.m. the Artist’s next call. It shall be the responsibility of the Engager to notify the Artist (including Stage Management) by telephone of changes in the Artist's call which are made at or after 11:00 p.m. If the Engager does not reach the Artist personally and the Artist does not receive the message (by phone or email) in time to reasonably make the revised call, the Artist shall not be responsible for missing the call. The Engager shall use its best efforts to avoid changing any Artist’s call for the day following the Free Day after 11:00 p.m. on the day prior to the Free Day. In the event of double-casting, the complete cast list for an opera, operetta or musical theatre, with performance dates for each Artist, shall be posted on the callboard, at least, six (6) days in advance of the first public performance and, in any event, before this information is released to the box office or news media. Canadian Opera Agreement 2016-2019 Page | 27
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Posting of Calls, Performance Schedules and Casting. It is the responsibility of the to notify the Artist of all rehearsal and performance times not later than twenty-four (24) hours prior to the rehearsal or performance call. Rehearsal Hours Artists may be required to rehearse up to a maximum of six (6) hours out of a span of twelve (12) hours per day to a maximum of thirty (30) hours per engagement week.
Sample 1
Posting of Calls, Performance Schedules and Casting. Detailed rehearsal schedules for all Artists, including call start and end times, material to be rehearsed, etc., if known, shall be distributed by 8:00pm on Friday of each week for rehearsals in the following week. It is understood this weekly schedule may change, and the confirmed rehearsal call for the next day must be posted before the end of the rehearsal day, or when the company is also performing, before the half-hour call. It is the Artist's responsibility to find out when the Artist’s next call will be upon being released from rehearsal or performance. It shall be the responsibility of the Engager to notify the Artist (including Stage Management) by telephone or email of changes in the Artist's call. If the Engager does not reach the Artist personally and the Artist does not receive the message (by phone or email) in time to reasonably make the revised call, the Artist shall not be responsible for missing the call. The Engager shall use its best efforts to avoid changing any Artist’s call for the day following the Free Day after 11:00 p.m. on the day prior to the Free Day. In the event of double-casting, the complete cast list for an opera, operetta or musical theatre, with performance dates for each Artist, shall be posted on the callboard, at least, six (6) days in advance of the first public performance and, in any event, before this information is released to the box office or news media.
Sample 1

Related to Posting of Calls, Performance Schedules and Casting

  • Performance Schedule The Parties will perform their respective responsibilities in accordance with the Performance Schedule. By executing this Agreement, Customer authorizes Motorola to proceed with contract performance.

  • Ongoing Performance Measures The Department intends to use performance-reporting tools in order to measure the performance of Contractor(s). These tools will include the Contractor Performance Survey (Exhibit H), to be completed by Customers on a quarterly basis. Such measures will allow the Department to better track Vendor performance through the term of the Contract(s) and ensure that Contractor(s) consistently provide quality services to the State and its Customers. The Department reserves the right to modify the Contractor Performance Survey document and introduce additional performance-reporting tools as they are developed, including online tools (e.g. tools within MFMP or on the Department's website).

  • Excuse for Nonperformance or Delayed Performance Except with respect to defaults of subcontractors, Contractor/Vendor shall not be in default by reason of any failure in performance of this contract in accordance with its terms (including any failure by Contractor/Vendor to make progress in the prosecution of the work hereunder which endangers such performance) if Contractor/Vendor has notified the Commission or designee within 15 days after the cause of the delay and the failure arises out of causes such as: acts of God; acts of the public enemy; acts of the State and any other governmental entity in its sovereign or contractual capacity; fires; floods; epidemics; quarantine restrictions; strikes or other labor disputes; freight embargoes; or unusually severe weather. If the failure to perform is caused by the failure of a subcontractor to perform or to make progress, and if such failure arises out of causes similar to those set forth above, Contractor/Vendor shall not be deemed to be in default, unless the services to be furnished by the subcontractor were reasonably obtainable from other sources in sufficient time to permit Contractor to meet the contract requirements. Upon request of Contractor, the Commission or designee shall ascertain the facts and extent of such failure, and, if such officer determines that any failure to perform was occasioned by any one or more of the excusable causes, and that, but for the excusable cause, Contractor’s progress and performance would have met the terms of the contract, the delivery schedule shall be revised accordingly, subject to the rights of the State under the clause entitled (in fixed-price contracts, “Termination for Convenience,” in cost-reimbursement contracts, “Termination”). (As used in this Paragraph of this clause, the term “subcontractor” means subcontractor at any tier).

  • KEY PERFORMANCE INDICATORS 10.1 The Supplier shall at all times during the Framework Period comply with the Key Performance Indicators and achieve the KPI Targets set out in Part B of Framework Schedule 2 (Goods and/or Services and Key Performance Indicators).

  • SCHEDULE FOR PERFORMANCE REVIEWS 8.1 The performance of each Employee in relation to his/her performance agreement shall be reviewed on the following dates with the understanding that reviews in the first and third quarter may be verbal if performance is satisfactory:

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  • Events Excusing Performance Neither party shall be liable to the other party for failure to perform any of the services required herein in the event of strikes, lock-outs, calamities, acts of God, unavailability of supplies or other events over which that party has no control for so long as such events continue, and for a reasonable period of time thereafter.

  • Historical Performance Information To the extent agreed upon by the parties, the Sub-Advisor will provide the Trust with historical performance information on similarly managed investment companies or for other accounts to be included in the Prospectus or for any other uses permitted by applicable law.

  • PERFORMANCE MANAGEMENT SYSTEM 5.1 The Employee agrees to participate in the performance management system that the Employer adopts or introduces for the Employer, management and municipal staff of the Employer.

  • Monitoring of Contract Performance The Contractor shall comply with the monitoring arrangements set out in the Monitoring Schedule including, but not limited to, providing such data and information as the Contractor may be required to produce under the Contract.

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