What you need to do. 1. Review the Award Agreement to ensure you understand its provisions. With each award you receive, provisions of your Award Agreement may change so it is important to review your Award Agreement.
What you need to do. 3.1 PROVIDE INFORMATION
What you need to do. Please read all the supplied documents fully before agreeing to the contract. Please let me know if you change your address or telephone number.
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What you need to do. If you believe you are qualified to submit a claim, you have four options: (i) submit a Claim Form to receive a cash award; (ii) opt out of the Class to maintain your right to bring an individual claim against Defendant; (iii) file an objection to the proposed class settlement; or
What you need to do. To ensure that we have the best possible relationship with you and your case progresses in the best possible way, you should:
What you need to do. If you use music for dance teaching, make sure that you have: • a venue licence for performing rights (e.g. a PRS licence), and • a licence to play recorded music, or music in 1V or radio programmes (e.g. a PPL licence). Always check that the buildings you have hired have the required licences. Do not assume that people are correct when they tell you that they're 'covered' – many people do not understand copyright, especially where dance is concerned. If in doubt, ask one of the relevant collecting societies or publishers. If you use music for choreography and performance: • Check whether the music you want to use is in copyright or not • If it is, contact the publishers of the music, or the composer directly. They will want to know how many performances you intend to do, how many seats the theatre holds, and what other pieces will be on the programme (i.e. what proportion of the evening your piece occupies). • If you want to make cuts or arrangements to the score, you will need to send these to the publisher/composer for approval • If you are using a recording, you will need to contact the record company for a licence to do so If you are commissioning a composer to write music for you, make sure that all fees, royalty payments, and permissions have been agreed in writing long in advance of the first performance. If you are performing a choreographic work which is not by you, remember that the choreography may be in copyright, too, and you will have to seek permission and pay for this.
