Recorded Music. Recorded music of any type shall not be used as a substitute for orchestral rehearsals covered by this agreement without the specific approval, in writing, of the Toronto Musicians' Association. In performances for which the Orchestra is engaged and paid, repertoire for segments of such performances may be performed without the use of the Orchestra. Notwithstanding, The National Ballet agrees not to use a virtual orchestra or any other mechanical, synthetic or technological manifestation of a virtual orchestra to reproduce or perform music except with the specific written approval of the Toronto Musicians' Association. It is understood that use of recorded music as previously used in the past during productions, or as permitted under Article 41, which do not affect the use of live musicians during other portions of the service is acceptable. Compositions written expressly for live musicians with synthesized, electronic or pre-recorded sound, but excluding the use of a virtual orchestra (or similar type) machine, will also be acceptable.
Recorded Music. P. RECORDING SESSIONS Where practicable, the National Theatre agrees that all recording will take place in the UK. Recording session fees will be paid as per the prevailing MU / BPI Agreement. Recording usage fees (also known as repeat fees or live backing track fees) will be paid per performance at the following rates - Up to 4 minutes - free 4 to 10 minutes - £10.00 per player 10 to 20 minutes - £30.00 per player for up to 10 musicians / £25.00 per player for 11-20 musicians / £17.50 per player for 21-30 musicians/ £12.50 per player for 31+ musicians More than 20 minutes - to be negotiated Q. NT LIVE, NT AT HOME, NT COLLECTION As per Appendix E ‘18.a 30+ players (per hour)’ of the prevailing MU / PACT Agreement plus 5% (Combined Use Fee) until the new MU/PACT Agreement is agreed.
Recorded Music. The operating results of a record company, especially in the pop market, are affected by changing audience tastes and particularly by the record company's ability to identify, attract and retain new talent that will gain acceptance in the marketplace quickly. Platinum and Gold believes that its management has the creative ability to sign and retain artists who will appeal to popular taste over an extended period of time. Each Platinum and Gold division has its own artist and repertoire (ALR) staff whose task it is to identify and sign new artists with potential international appeal and who are not necessarily known in the US.
Recorded Music. NZ agrees to defend The Rights Holder against, and pay the amount of any adverse final judgment (or settlement that Recorded Music NZ consents to) resulting from any claims made against The Rights Holder by any Sub-Licensees or any third party that arise as a result of a breach of the warranty in clause 8.2 or 8.3 or where Recorded Music NZ grants rights that Recorded Music NZ has not been granted.
Recorded Music. 30.1 Recordings, tapes or other mechanical devices may not be used to accompany or to provide background music to live stage performances in theatrical venues, except as may be authorized by the Board of Directors of the Association. Recorded music of any type shall not be used as a substitute for orchestra rehearsals without the specific approval in writing of the Toronto Musicians’ Association.
Recorded Music. The record label division provides a "one-stop shopping" forum for artists, because all services of a major record label are provided in-house at MMG, including promotions, marketing, artist development and access to music recording and video facilities. MMG will also be able to provide co-publishing and management services to artists signed to MMG's record label division, enabling MMG to act as a true partner to a recording artist by actively participating in all facets of the artist's career. Mega Media Records already has an impressive roster of talent that includes rap legends Junior Mafia, platinum hip-hop producer Minnesota, R&B sensation Xxxxx Xxxx. MMG's state-of-theart recording and editing studios in Brooklyn, and its satellite studios in mid-town Manhattan, provide a comfortable and functional setting for all MMG artists to create and record their art. MMG's goal is to acquire both established and new recording artists, balancing risk by tapping into the existing fan base of established artists while investing in unknown artists who management believes have the potential to be the superstars of tomorrow.
