Microphones. The parties agree that before placing microphones on any Player to capture such Player’s voice during games or practices, the League and the PWHLPA must agree on where the microphones shall be placed on the Player (which must be non- obtrusive, as defined in Section 11.8), the capturing methods, how and by whom such captured content will be screened before being aired on broadcast or otherwise, and what will happen to the content after the conclusion of the broadcast, and whether the content can be commercialized otherwise. The parties agree that it shall be at the Player's discretion whether or not to wear a microphone.
Microphones. All Five (5) musicians sing and need mics. All vocal mics must be CLEAN and UNDAMAGED. Foam windscreens must be provided for ALL microphones if the event is outdoors. Mics with On-Off switches are NOT acceptable. A selection of spare clips is required.
Microphones. Artist may carry their own microphones as noted on input list and stageplot (see attached). Please be prepared to supply all microphones subject to advance by Artist's road manager. INPUT LIST CURRENT Jan 2015 CH# INPUT MICROPHONE STAND INSERTS 1 Kick Beta52/D112/D6*/RE20 Short boom Gate 2 Snare SM 57 Short boom Comp 3 Hat SM 81 Short boom 4 Hi Toms 904/98 Clip/stand Gate 5 Mid Toms 904/98 Clip/stand Gate 6 Lo Toms 904/98/d4/421 Clip/short boom Gate 7 SR drum OH Ksm141*/184/414 High boom Comp 8 SL drum OH Ksm141*/184/414 High boom Comp 10 Ac Bass Gtr SM 81 Short Boom 11 Electric Bass DI 12 Guitar Amp SM 57 Short boom 13 Piano lo C 3000 - 14 Piano hi C 3000 - 15 Keys 1 L DI - 16 Keys 1 R DI - 17 Percussion Ksm141*/184/414 High boom 18 Percussion Ksm141*/184/414 High boom 19 Percussion 904/b98 High boom 20 Percussion 904/b98 High boom 21 Sax Shure RF trans & UR1 belt pack with beta 98 mic Comp 22 Trumpet Shure RF trans & UR1 belt pack 98 mic - Comp 23 Etienne Speaking 58 High boom 24 FOH talk to stage 58 25 One additional Mic 58 High boom 26 Second additional MIC High boom Guest 27 Third Additional MIC 58 High boom Guest AGREED AND ACCEPTED For Purchaser CULTURE SHOCK MUSIC INC. Date Date Marketing Contact Person Name Phone Email Production Contact Person Name Phone Email Ground Hotel Contact Person Name Phone Email Other Contact Person Name Phone Email Piano Music stand Bass 120 v 6' X 6' Carpet 10 11 XX Xxxx amp Xxxxxxx Xxxxxxx 120 v Mon 3 15 16 Twin Guitar Mon 46" X 6" 6" X 6" 6" X6" 6" X6" 6" X6" 20 8 Mon 5 Music stand Music stand Xxxxxx 120 v Music stand 18 Sax Xxxxxxx Xxxxxxx 23 24 revision 2 Area = 30' X 22" Mon 1 Music stand 25 Music stand Mon 2
Microphones. Actor shall agree to the use of microphones or other electronic equipment for the purpose of sound amplification should Triad Stage deem such equipment necessary.
Microphones. Artist may carry their own microphones as noted on input list and stage-plot (see attached). Please be prepared to supply all microphones subject to advance by Artist's road manager. CH# INPUT MICROPHONE STAND INSERTS 1 Kick Beta52/D112/D6*/RE20 Short boom Gate 2 Snare 98/904/b56/at35* Clip (no stand) Comp 3 Hat 451/81/184 Short boom 4 Hi Toms 904/98 Clip/stand Gate 5 Mid Toms 904/98 Clip/stand Gate 6 Lo Toms 904/98/d4/421 Clip/short boom Gate 7 SR drum OH Ksm141*/184/414 High boom Comp 8 SL drum OH Ksm141*/184/414 High boom Comp 9 E Bass DI DI - Comp 10 E Bass cab 421,m88*,re20 Short boom 11 Piano Lo 4099* - 12 Piano Hi 4099 * - 13 Piano hole 4099 * - 14 Piano Pickup ACTIVE DI - 15 Sax 414/ksm32* High boom Comp 16 Sax Lo 57 Short boom 17 Melodica DI (by drums) DI - 18 Drum Vox (talk) 58 High boom Comp 19 Bass Vox 58 High boom 20 Sax Vox 58 High Boom AGREED AND ACCEPTED (000) 000-0000 For Purchaser Montuno Productions for Xxxx XxXxxxxxxx Date Date XXXX XXXXXXXXXX TRIO WITH XXXX XXXXXXXX & XXXX XXXXXXXX 5 E BASS CAB ON case Drums ACBASS CAB on case BASS sax center POB 560285 MACEDONIA, OHIO 44056 USA 330.908.0150 XXX.XXXXXXX.XXX INFORMATION LIST The following information list is to be completed ASAP and sent with the contracts 1) DATE OF PERFORMANCE CITY a. Name of venue
Microphones. Preferred Drum Micing: kick, snare, two (2) overheads, hi-hat mic and xxx mics. Mix like a rock/electro project.
Microphones. A. Six (6) microphones including one with on-off switch for announcements.
Microphones. The wireless system is turn off by pressing the power button on the upper right side. The microphones are turned off by pushing the button on the bottom until the lit display goes dark.
Microphones. All microphones and inputs listed shall be reserved for BLOODGOOD exclusively. INPUT LIST Channel Input Label Type
Microphones. Please have a selection of professional microphones that are appropriate for micing drums, guitar amps, and vocals. See attached Input List for microphone preference. Please provide professional quality Direct Boxes. All cables (patch, microphone, AC, monitor, etc.) will be of ample gauge and in good repair; all cables should be of adequate quantity and length for stage dressing, with some spares.
