Personal Knowledge. A reference to a matter being to the knowledge of a person means the matter is to the best of the knowledge and belief of the person after making proper enquiry including enquiry which a reasonable person would be prompted to make by reason of knowledge of a fact.
Personal Knowledge. As of Purchaser's execution of this Agreement, Purchaser (i) has a preexisting personal and business relationship with the Company (ii) is thoroughly familiar with the Company's operations and its financial condition and (iii) has such knowledge and experience in financial and business matters (including experience with investments of a similar nature), that Purchaser is capable of evaluating the merits and risks of an investment in the Shares. PURCHASER RECOGNIZES THAT THE PURCHASE OF THE SHARES IS A SPECULATIVE INVESTMENT THAT INVOLVES A HIGH DEGREE OF RISK AND IS SUITABLE ONLY FOR PERSONS WITH THE FINANCIAL CAPABILITY OF MAKING AND HOLDING LONG-TERM INVESTMENTS NOT READILY REDUCIBLE TO CASH.
Personal Knowledge. Towards a Post-Critical Philosophy. London: Routledge. ———. (1966) 2009. The Tacit Dimension. Chicago: University of Chicago Press. Xxxxxx, Xxxxxxx. 2000. “Reconstructing 17th-Century North German Improvisational Practice: Notes on the Praeambulum with a Report on Pedagogy Used in December 1995.” GOArt Research Reports 2. ———. 2002. “Hamburg Organists in Lutheran Worship.” In The Organ as a Mirror of Its Time: North European Reflections, 1610–2000, 72. New York: Oxford University Press. ———. 2003. “Observations Concerning Contrapuntal Improvisation.” GOArt Research Reports 3. Xxxxxxxx, Xxxxx. 1901. “Un Claveciniste Français Du XIIe Siècle. Xxxxxxx Xxxxxxxx de Chambonnières.” La Tribune de Saint Gervais, Bulletin Mensuel de Schola Cantorum, 1–5. ———. 1911. “Les Origines de La Suite de Clavecin.” Le Courrier Musical 14: 675–679. Xxxxxxxxxxx, Xxxxx, and Xxxxxxxxxx Xxxxxxxxx. 2015. “Towards a Galant Pedagogy: Partimenti and Schemata as Tools in the Pedagogy of Eighteenth-Century Style Improvisation.” Music Theory Online 21 (3). xxxxx://xxxxxx.xxx/issues/mto.15.21.3/mto.15.21.3.rabinovitch.html. Xxxxxx, Xxxx-Xxxxxxxx. 1760. Code de musique pratique, ou, Méthodes pour appendre la musique. Paris: Imprimerie Royale. Xxxxxx, Xxxxxxx. 1980. Classic Music: Expression, Form, and Style. NY: Xxxxxxxx.
Personal Knowledge. Chicago, IL: University of Chicago Press. Xxxxx, X. (2001). From phenomenology to dialogue. In X. Xxxxxxxxx & X. Xxxxxxxx (eds) Xxxxxxx and cultural theory (pp. 109-135). Manchester: Manchester University Press. Xxxxxxxxxxxx, X. (2014). Climbing the Summit of Knowledge: Xxxxxxxx Xxxxxxx’ interpretation of Xxxxxxxxx. Sineris 18. Retrieved from xxxx://xxx.xxxxxxx.xx/neuhaus.pdf. Last accessed Feb. 21, 2016. Xxxx, X. X. (1993). Music as motion: a synopsis of Xxxxxxxxx Xxxxxxx’s (1938) ’Gestaltung und Bewegung in der Musik.’ Psychology of Music, 21(1), 48–73. Xxxxxxxx, X., Xxxxxxxx, M., Xxxxxxx, X. X., & Xxxxxxx, X. (2000) The zombies among us: consciousness and automatic behaviour. In X. Xxxxxxxx & X. Xxxxxxxx (eds) Beyond Dissociation: interaction between dissociated implicit and explicit processing (pp. 331-351). Amsterdam: Xxxx Xxxxxxxxx. Xxxx, X. (1990). Review of Xxxxxxx Xxxxx Musical structure and performance. Music Analysis, 9(3), 319-39. Xxxx, X. (2002). Analysis and (or?) performance. In X. Xxxx (ed) Musical Performance: a guide to understanding (pp. 35-57). Cambridge: Cambridge University Press. Xxxx, X. (2004). The State of Play in Performance Studies. In X. Xxxxxxxx. The Music Practitioner (pp. 37-51). Aldershot: Ashgate Publishing.
Personal Knowledge. I am familiar with the terms of the Credit Agreement, each of the other Loan Documents and the Spin, and I have personal knowledge of the matters covered by this Certificate, or I have consulted with other officers or representatives of the Loan Parties whose duties and responsibilities make them knowledgeable with respect to such matters and in whom I have confidence.
Personal Knowledge. The Project Inspector(s) shall have personal knowledge obtained by conducting inspections of all parts of the Work of construction in all stages of its progress to assure that the Work as installed and constructed is in accordance with the DSA approved Construction Contract Documents, including DSA approved modifications thereto.
