Patch Sessions Clause Samples

The "Patch Sessions" clause defines the procedures and requirements for scheduled maintenance or updates to a system, software, or service. Typically, this clause outlines how and when patch sessions will occur, who is responsible for performing them, and any necessary notifications to users or stakeholders. For example, it may specify that updates will be applied during off-peak hours to minimize disruption. The core function of this clause is to ensure that essential updates are implemented in a controlled manner, reducing the risk of security vulnerabilities or system failures while maintaining transparency and minimizing operational impact.
Patch Sessions. 1. A patch session of up to two (2) hours may be held after a live performance of the program being recorded and will be paid in 15-minute increments. For the first thirty
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Patch Sessions. 1. In the event the Employer requires a Musician to remain following the conclusion of a live service at which audio-visual material is captured for the purpose of re-taping a portion or portions, that Musician shall receive overtime pay, pro-rated in 15-minute increments, at time and one-half the Special Call rate, computed from the time that the performance ends. Within ten (10) minutes after the Concertmaster has left the stage, the Employer shall advise the Musicians whether a patch session shall take place and, if so, the proposed length of that patch session. In the event that a patch session is called, the Musicians shall be guaranteed such overtime pay for the time periods as follows: 2. No patch session shall exceed two (2) hours for a symphony orchestra, or three
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Patch Sessions. Shall only take place by mutual consent with the relevant performer group(s) involved.
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Patch Sessions i. Patch sessions will occur directly after a performance or recording session for no more than two hours and be decided and announced within ten (10) minutes of end of performance or recording session. ii. Best efforts will be made to provide advance notification to ARTISTS of possibility of patch session. iii. Patch sessions will be compensated at the AGMA Overtime Hourly Rate, payable in hourly increments, or the rate paid to members of the orchestra for each session, whichever is greater. iv. If scheduled to occur on a separate day, patch sessions will be with the ARTISTS’ consent and paid as above, with a minimum call of no less than for the orchestra. v. There shall be no discipline of or penalty to any ARTIST who is unable to attend a patch session following a performance.
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Patch Sessions. 6.5.1 A patch session of up to one (1) hour may be held after a live performance of the program being recorded and will be paid in 15-minute increments. For the first thirty (30) minutes, a patch session will be paid at the lesser of the performance overtime fee or the then current AFM’s Sound Recording Labor Agreement (SRLA) patch fee (for fifteen minutes: Feb. 1, 2018 – Feb. 1, 2019: $55.86; Feb. 1, 2019: $57.53), assuming that the patch session is announced within 10 minutes and begins within 45 minutes of the concertmaster leaving the stage. After thirty (30) minutes of patch session, the payment fee will be the Sound Recording Labor Agreement patch fee (for thirty minutes: Feb. 1, 2018 – Feb. 1, 2019: $111.72; Feb. 1, 2019: $115.06) in fifteen-minute increments (Feb. 1, 2018 – Feb. 1, 2019: $55.86; Feb. 1, 2019: $57.53). 6.5.2 Only those playing the patch session shall be paid for those sessions. 6.5.3 There shall be no discipline of any Musician who is unable to attend a patch session.
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Patch Sessions. (i) A patch session of up to two (2) hours may be held after a live performance of the performance being recorded and will be paid in 15-minute increments. A patch session will be paid at the overtime rate, assuming that the patch session begins within forty-five (45) minutes of the end of the performance. For a patch session with the orchestra, breaks shall be the same as the Orchestra. For a Patch Session with no orchestra, there shall be ten (10) minutes of break after every thirty-five (35) minutes of work during patch sessions. (ii) COT may call a special patch session of up to two (2) hours at a time other than immediately after a performance subject to normal rehearsal rules. (iii) Stage Managers and Assistant Stage Managers who are engaged for the production shall be called for the Patch Session.
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