Common use of Personal Knowledge Clause in Contracts

Personal Knowledge. Chicago, IL: University of Chicago Press. ▇▇▇▇▇, ▇. (2001). From phenomenology to dialogue. In ▇. ▇▇▇▇▇▇▇▇▇ & ▇. ▇▇▇▇▇▇▇▇ (eds) ▇▇▇▇▇▇▇▇▇▇▇▇, ▇. (2014). Climbing the Summit of Knowledge: ▇▇▇▇▇▇▇▇ ▇▇▇▇▇▇▇’ interpretation of ▇▇▇▇▇▇▇▇▇. Sineris 18. Retrieved from ▇▇▇▇://▇▇▇.▇▇▇▇▇▇▇.▇▇/neuhaus.pdf. Last accessed Feb. 21, 2016. ▇▇▇▇, ▇. ▇. (1993). Music as motion: a synopsis of ▇▇▇▇▇▇▇▇▇ ▇▇▇▇▇▇▇’s (1938) ’Gestaltung und Bewegung in der Musik.’ Psychology of Music, 21(1), 48–73. ▇▇▇▇▇▇▇▇, ▇., ▇▇▇▇▇▇▇▇, M., ▇▇▇▇▇▇▇, ▇. ▇., & ▇▇▇▇▇▇▇, ▇. (2000) The zombies among us: consciousness and automatic behaviour. In ▇. ▇▇▇▇▇▇▇▇ & ▇. ▇▇▇▇▇▇▇▇ (eds) Beyond Dissociation: interaction between dissociated implicit and explicit processing (pp. 331-351). Amsterdam: ▇▇▇▇ ▇▇▇▇▇▇▇▇▇. ▇▇▇▇, ▇. (1990). Review of ▇▇▇▇▇▇▇ ▇▇▇▇▇ Musical structure and performance. Music Analysis, 9(3), 319-39. ▇▇▇▇, ▇. (2002). Analysis and (or?) performance. In ▇. ▇▇▇▇ (ed) Musical Performance: a guide to understanding (pp. 35-57). Cambridge: Cambridge University Press. ▇▇▇▇, ▇. (2004). The State of Play in Performance Studies. In ▇. ▇▇▇▇▇▇▇▇. The Music Practitioner (pp. 37-51). Aldershot: Ashgate Publishing.

Personal Knowledge. Chicago, IL: University of Chicago Press. ▇▇▇▇▇, ▇. (2001). From phenomenology to dialogue. In ▇. ▇▇▇▇▇▇▇▇▇ & ▇. ▇▇▇▇▇▇▇▇ (eds) ▇▇▇▇▇▇▇▇▇▇▇▇, ▇. (2014). Climbing the Summit of Knowledge: ▇▇▇▇▇▇▇▇ ▇▇▇▇▇▇▇’ interpretation of ▇▇▇▇▇▇▇▇▇. Sineris 18. Retrieved from ▇▇▇▇://▇▇▇.▇▇▇▇▇▇▇.▇▇/neuhaus.pdf/▇▇▇▇▇▇▇.pdf. Last accessed Feb. 21, 2016. ▇▇▇▇, ▇. ▇. (1993). Music as motion: a synopsis of ▇▇▇▇▇▇▇▇▇ ▇▇▇▇▇▇▇’s (1938) ’Gestaltung und Bewegung in der Musik.’ Psychology of Music, 21(1), 48–73. ▇▇▇▇▇▇▇▇, ▇., ▇▇▇▇▇▇▇▇, M., ▇▇▇▇▇▇▇, ▇. ▇., & ▇▇▇▇▇▇▇, ▇. (2000) The zombies among us: consciousness and automatic behaviour. In ▇. ▇▇▇▇▇▇▇▇ & ▇. ▇▇▇▇▇▇▇▇ (eds) Beyond Dissociation: interaction between dissociated implicit and explicit processing (pp. 331-351). Amsterdam: ▇▇▇▇ ▇▇▇▇▇▇▇▇▇. ▇▇▇▇, ▇. (1990). Review of ▇▇▇▇▇▇▇ ▇▇▇▇▇ Musical structure and performance. Music Analysis, 9(3), 319-39. ▇▇▇▇, ▇. (2002). Analysis and (or?) performance. In ▇. ▇▇▇▇ (ed) Musical Performance: a guide to understanding (pp. 35-57). Cambridge: Cambridge University Press. ▇▇▇▇, ▇. (2004). The State of Play in Performance Studies. In ▇. ▇▇▇▇▇▇▇▇. The Music Practitioner (pp. 37-51). Aldershot: Ashgate Publishing.