Codecs Sample Clauses

Codecs. WITH RESPECT TO ANY CODECS IN THE SDK, YOU ACKNOWLEDGE AND AGREE YOU ARE RESPONSIBLE FOR ANY AND ALL RELATED FEES AND/OR ROYALTIES, IF ANY. IT IS YOUR RESPONSIBILITY TO CHECK.
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Codecs. Until the earlier of the Closing or the termination of this Agreement pursuant to Article VIII, each Seller shall use its commercially reasonable efforts to ensure, at Seller’s own cost that, effective as of the Closing, dicas digital image coding GmbH grants a non-exclusive license to Buyer (the “Codec License”) for the use of the codecs set forth on Schedule 4.8 with a rights substantially similar to the rights that Seller has with respect to such codecs as of the date hereof.
Codecs. WITH RESPECT TO ANY CODECS IN THE SDK, YOU ACKNOWLEDGE AND AGREE YOU ARE RESPONSIBLE FOR ANY AND ALL RELATED FEES AND/OR ROYALTIES, IF ANY. IT IS YOUR RESPONSIBILITY TO CHECK. THE H.264 (AVC) CODEC IS LICENSED UNDER THE AVC PATENT PORTFOLIO LICENSE FOR THE PERSONAL USE OF A CONSUMER OR OTHER USES IN WHICH IT DOES NOT RECEIVE REMUNERATION TO: (I) ENCODE VIDEO IN COMPLIANCE WITH THE AVC STANDARD ("AVC VIDEO") AND/OR (II) DECODE AVC VIDEO THAT WAS ENCODED BY A CONSUMER ENGAGED IN A PERSONAL ACTIVITY AND/OR WAS OBTAINED FROM A VIDEO PROVIDER LICENSED TO PROVIDE AVC VIDEO. NO LICENSE IS GRANTED OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL INFORMATION FOR THE H.264 (AVC) CODEC MAY BE OBTAINED FROM MPEG LA, L.L.C. SEE XXXX://XXX.XXXXXX.XXX. Table of Contents 1 Introduction 20 1.1 Purpose 20
Codecs h Color.Dlg ColorDIg.h comadmin.h comadmin.ldl ComCat.h ComCat.ldl ComDef.h Comlite.h CommCtrl.h CommCtrl.rh CommDlg.h Common.Ver CompObj.h Control.h Control.Odl ConvClss.h Convcwrp.h ConvDII.h ConvDIIc.h Convengn.h ConvIncl.h ConvReg.h ConvRegh.h ConvStrc.h Copyfile.Mak CpI.h Cplext.h CrsApi.Tlb CrsCIsId.h Crslntf.h Crslntf.ldl CrsMsg.Bas CrsMsg.h CrxXxx.Xxx XrsSink.h CrsSink.ldl CrsSink.Tib CrsTypes.Bas CrsTypes.h CrxXxxxx.Xxx Xtl3d.h CustCntI.h Cutlist.h d3d.h d3dcaps.h d3drm.h d3drmdef.h d3drmobj.h d3dtypes.h d3dvec.inl Danim.h daogetrw.h Dapi.h DapiMsg.h DataPath.h DbcsStr.h dbdao.h dbdaoerr.h dbdaoid.h dbdaoint.h dbsets.h Dbt.h Dde.h Dde.rh Ddeml.h ddraw.h Ddrawex.h Ddstream.h Ddstream.ldl Devenum.ldl devtype.h Digitalv.h dinput.h Dispatch.h Dispdib.h Dispex.h Dispex.ldl DlcAPI.h Dlgs.h DocObj.h DocObj.ldl dplay.h dplobby.h DPrintf.h dsetup.h DsGetDC.h DskQuota.h dsound.h Dsrole.h dssenum.h DTCHELP.H Dv.h Dvdevcod.h Dvdif.ldl Dvdmedia.h DvObj.h dvp.h dxfile.h dxxxx.xxx XdbBack.h EdbbCli.h EDbMsg.h Edevdefs.h Edk.h EdkAfx.h EdkCfg.h EdkCode.h EdkDebug.h EdkEvent.h EdkGuid.h EdkMapi.h EdkMdb.h EdkMsg.h EdkSetup.h EdkTrack.h Edkutcpp.h EdkUtils.h EmsABTag.h enhstat.idl epgdspid.h epgldrx.h episodet.h epprop.h Errcpp.h Errcppd.h Error.h Errors.h Evcode.h eventsys.h EventSys.ldl ExAdmin.h ExchCli.h ExchExt.h ExchForm.h Exchlnst.h ExDisp.h ExDisp.ldl ExDispid.h FaxCom.h FaxDev.h FaxRoute.h FileOpen.Dlg filtcat.h Filter.h Filterr.h FindText.Dlg Font.Dlg Frame.h FrQuery.h Ftslface.h FwCommon.h GenLex.h genre.h
Codecs. Before diving into the accompanying metadata and how it can be stored, the crucial question of which codec to use still remains. In the world of video, a codec’s suitability for use in pro- duction often dictates the chosen archive format, especially for public broadcasting companies who, by their very nature, focus primarily on the level of productivity of the archive. Twenty years of experience in audio digitisation have shown that retrospective digitisation ar- chive projects, which were implemented on the basis of psycho-acoustic data-reducing formats (cf. MP1L2 archive in the mid 1990s), are of practically no real significance today. Digitisation projects were even repeated in linear formats provided the funds could be found. Looking at the effect of multiple codings of data-reduced formats within a video segment, it can be seen that by cascading several encoding steps, there is a successive loss of source information (Figure 5). Figure 5. Comparison of generation loss (colour/contrast increased for improved visibility). The sequences of dark images display the respective differential signal to the precursor signal.The multiple coding has absolutely no effect in the case of mathematically lossless coding (lower row).
Codecs. Business Connection supports the following Codecs: G.711, G.729, T.38, and G.722/H.264.
Codecs. A codec converts an analogue voice signal into digital data for routing across an IP network. The following codecs are supported as standard: G.711 A-law and G.729A. Other codecs may be able to be supported upon request.
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Codecs. 2.8.1 [* * *] _________ ***Confidential information has been omitted and has been filed separately with the Securities and Exchange Commission.

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