Common use of Change of Point of Origin for Rehearsals and Performances Clause in Contracts

Change of Point of Origin for Rehearsals and Performances. ‌ A major centre, other than the Point of Origin, may be designated as the Point of Origin for the rehearsals and performances of a production and only when such an arrangement accommodates at least sixty (60%) percent of the Artists in the company by allowing them to remain in their place of residence during said rehearsals and performances. In such a circumstance, if such a production is moved from said major centre, even if it is moved to the Theatre's regular Point of Origin, it shall be considered as a production on tour, and the per diem provided for in Clauses 49:03(B)(i) and 49:03(B)(ii) shall also apply. For those Artists for whom the major centre in question is not their place of residence, the nature and cost of accommodation shall be guaranteed in a rider to the Artist's contract and the Theatre agrees to pay any costs of accommodation which exceed said guaranteed costs. Furthermore, a production mounted under the provisions of this Article is subject to Clause 38:22.

Change of Point of Origin for Rehearsals and Performances. ‌ A major centre, other than the Point point of Originorigin, may be designated as the Point point of Origin origin for the rehearsals and performances of a production and only when such an arrangement accommodates at least sixty (60%) percent of the Artists in the company by allowing them to remain in their place of residence during said rehearsals and performances. In such a circumstance, if such a production is moved from said major centre, even if it is moved to the Theatre's regular Point point of Originorigin, it shall be considered as a production on tour, and the per diem provided for in Clauses 49:03(B)(i49:02(B)(i) and 49:03(B)(ii49:02(B)(ii) shall also apply. For those Artists for whom the major centre in question is not their place of residence, the nature and cost of accommodation shall be guaranteed in a rider to the Artist's contract and the Theatre agrees to pay any costs of accommodation which exceed said guaranteed costs. Furthermore, a production mounted under the provisions of this Article is subject to Clause 38:22.

Change of Point of Origin for Rehearsals and Performances. ‌ A major centre, other than the Point point of Originorigin, may be designated as the Point point of Origin origin for the rehearsals and performances of a production and only when such an arrangement accommodates at least sixty (60%) percent of the Artists in the company by allowing them to remain in their place of residence during said rehearsals and performances. In such a circumstance, if such a production is moved from said major centre, even if it is moved to the Theatre's regular Point point of Originorigin, it shall be considered as a production on tour, and the per diem provided for in Clauses 49:03(B)(i49:02(B)(i) and 49:03(B)(ii49:02(B)(ii) shall also apply. For those Artists for whom the major centre in question is not their place of residence, the nature and cost of accommodation shall be guaranteed in a rider to the Artist's CTA 2015-2018 | page 31 contract and the Theatre agrees to pay any costs of accommodation which exceed said guaranteed costs. Furthermore, a production mounted under the provisions of this Article is subject to Clause 38:22.

Change of Point of Origin for Rehearsals and Performances. ‌ A major centre, other than the Point of Origin, may be designated as the Point of Origin for the rehearsals and performances of a production and only when such an arrangement accommodates at least sixty (60%) percent of the Artists in the company by allowing them to remain in their place of residence during said rehearsals and performances. In such a circumstance, if such a production is moved from said major centre, even if it is moved to the Theatre's regular Point of Origin, it shall be considered as a production on tour, and the per diem provided for in Clauses 49:03(B)(i) and 49:03(B)(ii) shall also apply. For those Artists for whom the major centre in question is not their place of residence, the nature and cost of accommodation shall be guaranteed in a rider to the Artist's contract and the Theatre agrees to pay any costs of accommodation which exceed said guaranteed costs. Furthermore, a production mounted under the provisions of this Article is subject to Clause 38:22.