Sweep. Cash may be swept as directed by Client or its investment manager to investment vehicles offered by Custodian or to other investment vehicles. Cash may be uninvested when it is received or reconciled to an Account after the deadline to be swept into a target vehicle, or when held for short periods of time related to transaction settlements. Client acknowledges that, as part of Custodian’s compensation, Custodian will earn interest on cash balances held by Custodian, including disbursement balances and balances arising from purchase and sale transactions, as provided in Custodian’s indirect compensation disclosures.
Sweep. Cash may be swept as directed by the Company or an Investment Manager to investment vehicles offered by the Trustee or to other investment vehicles. Cash may be uninvested when it is received or reconciled to an account in the Trust Fund after the deadline to be swept into a target vehicle, or when held for short periods of time related to transaction settlements. The Company acknowledges that, as part of the Trustee’s compensation, the Trustee will earn interest on cash balances held by the Trustee, including disbursement balances and balances arising from purchase and sale transactions, as provided in the Trustee’s indirect compensation disclosures.
Sweep. “Sweep” shall mean the removal of debris and dirt from the surfaces of floors and sidewalks with a broom.
Sweep. Remove surface dirt with a broom, treated dust mop, or mechanical sweeper.
Sweep. In an article written in the San Francisco Chronicle promoting Long Train Running, Xxxxx said working on the project “seemed like something interesting to work with audibly and visually, not just the usual talking heads in a documentary. The subject had a lot of sweep” (58). When examining Xxxxx’x style as a documentary filmmaker, the notion of “sweep” is useful; many cinematic techniques seen in his later works are first apparent in Long Train Running. Therefore, when Xxxxx mentioned that he was interested in creating the documentary because the film had “sweep,” he was explaining a filmic style critical to him: creating a project of historical import that simultaneously explored several ideas and subjects. Xxxxx’x interest in creating works with “a lot of sweep” was an early indication that he wanted to produce films that exceeded the frame—layered, multifaceted projects that addressed the “peculiar history” between black and white racial identity in America. In Long Train Running, Xxxxx and Xxxxxxx create a visual narrative through a series of historical still photographs of the East Bay, and juxtapose these images with current shots of Oakland’s urban blight. In one particular sequence early in the film, a still image of a lone black woman staring at the camera cuts to a picture of a tenement. The song “Tin Pan Alley” plays, and the photographic image fades into a present-day dilapidated hotel in Oakland, similar in design and look as the previous still photograph. The singer belts out lyrics about the area being rough, where “they start cuttin’ and shootin’ as soon as the sun goes down,” and images of trailer homes littering parking lots during the 1940s blend into today’s large, vacant lots with abandoned cars. Other examples of the ways in which the notion of sweep is incorporated into Xxxxx’x other films include juxtaposing the saccharine sounds of nursery rhymes with the vexed stereotypical images in Ethnic Notions; or the reoccurring rhythm of the heartbeat playing against the HIV-positive images of Xxxxx in Tongues Untied; as well as the consistent use of Negro Spirituals, or “Freedom Songs,” in his short experimental videos. Each of these audio–visual examples demonstrates how Xxxxx’x work is innovative and expands the boundaries of the documentary form by literally propelling narratives forward while simultaneously using sound and imagery to create cultural connotations that address larger social concerns. NONLINEAR STORYTELLING Throughout Lon...
