Common use of PhD Dissertation Clause in Contracts

PhD Dissertation. Goldsmiths College. Doğantan-▇▇▇▇, ▇. (2011). In the beginning was gesture: piano touch and the phenomenology of the performing body. In ▇. ▇▇▇▇ & ▇. ▇▇▇▇▇▇▇ (eds), New Perspectives on Music and Gesture (pp. 243–265). Aldershot: Ashgate. Doğantan-▇▇▇▇, ▇. (2015). The Role of the Musical Instrument in Performance as Research: the piano as a research tool. In M. ▇▇▇▇▇▇▇▇-▇▇▇▇ (ed), Artistic Practice as Research in Music: Theory, Criticism, Practice (pp. 169-202). Aldershot: Ashgate. ▇▇▇▇▇▇▇, ▇. ▇. (1979). What computers can’t do: the limits of artificial intelligence. New York: ▇▇▇▇▇▇ & Row. ▇▇▇▇▇▇▇▇▇▇, ▇. (1967). The Hidden Order Of Art. Berkeley: University of California Press. ▇▇▇▇▇▇▇▇▇▇▇, ▇. ▇. (1988). ▇▇▇▇▇▇ as Seen by his Pupils. ▇. ▇▇▇▇▇▇ (trans). Cambridge: Cambridge University Press. ▇▇▇▇▇, ▇. & ▇▇▇▇▇▇, ▇. (2006). How music moves: musical parameters and listeners’ perceptions of motion. Music Perception 23(3), 221-247. ▇▇▇▇▇, ▇. (ed) (2000) ▇▇▇▇▇▇: Etiudy. Warsaw: Fundacja Wydania Narogowego : Polskie Wydawn. ▇▇▇▇▇▇▇▇▇▇ (2004). Sollertinskii and dialogical symphonism. In C. Brandist, ▇. ▇▇▇▇▇▇▇, G. ▇▇▇▇▇▇▇ (eds), The Bakhtin Circle (pp. 167-185). Manchester: Manchester University Press.