Common use of Orchestrators Clause in Contracts

Orchestrators. (1) Definition — Orchestrating is the labor of scoring the various voices and/or instruments of an arrangement without changing or adding to the melodies, counter- melodies, harmonies and rhythms. (2) Time Rates for Orchestrators — May be used only on adjustments, work at rehearsals, alterations, additions and in other situations where page rates are impractical. The hourly rates for time work shall be $45.39 12/11/02, $46.52 12/11/03 and $47.92 12/11/04. (3) Page Rates for Orchestrators (subject to the rules of Paragraph "B.(4)"). (a) For not more than ten parts per score page: (1) Orchestrating an arrangement when incomplete material is furnished, per page $30.31 12/11/02, $31.07 12/11/03, and $32.00 12/11/04. (2) When complete material is furnished, per page $15.23 12/11/02, $15.61 12/11/03, and $16.08 12/11/04. (COMPLETE MATERIAL shall fully represent the melodic, harmonic, and rhythmic structure, and shall require no changes or additions.) (b) For each additional single line part in excess of ten parts per score page, $1.20 12/11/02, $1.23 12/11/03, and $1.27 12/11/04. (c) For adding parts to a score already orchestrated (regardless of who the orchestrator was), per score page, per instrument, $1.64 12/11/02, $1.68 12/11/03, and $1.73 12/11/04. (d) For adding piano part, per score page, $3.13 12/11/02, $3.21 12/11/03, and $3.31 12/11/04. (e) Orchestrating the parts (without score), the combined rate for orchestrating and copying. (f) For taking down a lead from voice, instrument or mechanical device, including symbols: text (one line) not to exceed one hour with overtime units of half-hours, $31.85 12/11/02, $33.67 12/11/03, and $34.68 12/11/04. (g) For scoring a piano part from a lead or melody sheet, per piano page, $30.31 12/11/02, $31.07 12/11/03, and $32.00 12/11/04. (h) For scoring a two-line or three-line full piano part from an orchestra score (or parts) or for scoring for solo piano, accordion, harp, etc., for individual performances, per piano page, $56.07 12/11/02, $57.47 12/11/03, and $59.19 12/11/04. (i) For scoring page for (choral) voices (a page consisting of four voices, including piano part, four measures per page, with come sopras being paid for), per page, $13.24 12/11/02, $13.57 12/11/03, and $13.98 12/11/04 with payment for additional voices being the same as for additional instruments. (4) The following rules shall apply to page rates: (a) A score page consists of four measures and shall be computed on the basis of a minimum of ten parts. (b) Double staff and divisi parts shall count as two parts. (c) A pick-up shall be computed as a full measure. (d) Come sopras shall be paid for. (e) Repeats shall not be used within a chorus to reduce the wage paid (but repeats, del segno and the like, which appear in the composition are permissible). (f) The last page may be paid for on a half page basis. (g) The page rates do not include proofreading service. (h) Voice and conductor parts written into a score shall be treated as instrumental parts. (i) The word “piano” shall be deemed to include organ, ▇▇▇▇, ▇▇▇▇▇▇▇, harpsichord, accordion, cimbalom, etc., when written on two (2) staves.

Orchestrators. (1) Definition — Orchestrating is the labor of scoring the various voices and/or instruments of an arrangement without changing or adding to the melodies, counter- melodies, harmonies and rhythms. (2) Time Rates for Orchestrators — May be used only on adjustments, work at rehearsals, alterations, additions and in other situations where page rates are impractical. The hourly rates for time work shall be ▇▇▇▇▇.▇▇ $45.39 12/11/0251.75 6/1/16, $46.52 12/11/03 53.31 6/1/17, and $47.92 12/11/04.54.91 6/1/18 (3) Page Rates for Orchestrators (subject to the rules of Paragraph "B.(4)"). (a) For not more than ten parts per score page: (1) Orchestrating an arrangement when incomplete material is furnished, per page $30.31 12/11/0234.56 6/1/16, $31.07 12/11/0335.60 6/1/17, and $32.00 12/11/0436.66 6/1/18 . (2) When complete material is furnished, per page $15.23 12/11/0217.37 6/1/16, $15.61 12/11/0317.89 6/1/17, and $16.08 12/11/0418.42 6/1/18. (COMPLETE MATERIAL shall fully represent the melodic, harmonic, and rhythmic structure, and shall require no changes or additions.) (b) For each additional single line part in excess of ten parts per score page, $1.20 12/11/021.37 6/1/16, $1.23 12/11/031.41 6/1/17, and $1.27 12/11/04.1.46 v. (c) For adding parts to a score already orchestrated (regardless of who the orchestrator was), per score page, per instrument, $1.64 12/11/021.87 6/1/16, $1.68 12/11/031.92 6/1/17, and $1.73 12/11/041.98 6/1/18. (d) For adding piano part, per score page, $3.13 12/11/023.57 6/1/16, $3.21 12/11/033.68 6/1/17, and $3.31 12/11/043.79 6/1/18. (e) Orchestrating the parts (without score), the combined rate for orchestrating and copying. (f) For taking down a lead from voice, instrument or mechanical device, including symbols: text (one line) not to exceed one hour with overtime units of half-hours, $31.85 12/11/0237.45 6/1/16, $33.67 12/11/0338.58 6/1/17, and $34.68 12/11/0439.74 6/1/18. (g) For scoring a piano part from a lead or melody sheet, per piano page, $30.31 12/11/0234.56 6/1/16, $31.07 12/11/0335.60 6/1/17, and $32.00 12/11/0436.66 6/1/18. (h) For scoring a two-line or three-line full piano part from an orchestra score (or parts) or for scoring for solo piano, accordion, harp, etc., for individual performances, per piano page, $56.07 12/11/0263.93 6/1/16, $57.47 12/11/0365.84 6/1/17, and $59.19 12/11/0467.82 6/1/18. (i) For scoring page for (choral) voices (a page consisting of four voices, including piano part, four measures per page, with come sopras being paid for), per page, $13.24 12/11/0215.10 6/1/16, $13.57 12/11/0315.55 6/1/17, and $13.98 12/11/04 16.02 6/1/18 with payment for additional voices being the same as for additional instruments. (4) The following rules shall apply to page rates: (a) A score page consists of four measures and shall be computed on the basis of a minimum of ten parts. (b) Double staff and divisi parts shall count as two parts. (c) A pick-up shall be computed as a full measure. (d) Come sopras shall be paid for. (e) Repeats shall not be used within a chorus to reduce the wage paid (but repeats, del segno and the like, which appear in the composition are permissible). (f) The last page may be paid for on a half half-page basis. (g) The page rates do not include proofreading service. (h) Voice and conductor parts written into a score shall be treated as instrumental parts. (i) The word “piano” shall be deemed to include organ, ▇▇▇▇, ▇▇▇▇▇▇▇, harpsichord, accordion, cimbalom, etc., when written on two (2) staves.