Common use of Moral Rights of Performers Clause in Contracts

Moral Rights of Performers. (1) Independently of a performer’s economic rights, and even after the transfer of those rights, the performer shall, as regards his live aural performances or performances fixed in phonograms, have the right to claim to be identified as the performer of his performances, except where omission is dictated by the manner of the use of the performance, and to object to any distortion, mutilation or other modification of his performances that would be prejudicial to his reputation.

Appears in 13 contracts

Samples: www.uaipit.com, www.uaipit.com, dig.watch

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Moral Rights of Performers. (1) Independently of a performer’s economic rights, and even after the transfer of those rights, the performer shall, as regards his live aural performances or performances fixed in phonograms, have the right to claim to be identified as the performer of his performances, except where omission is dictated by the manner of the use of the performance, and to object to any distortion, mutilation or other modification of his performances that would be prejudicial to his reputation.. [Article 5 continues] [Article 5, continued]

Appears in 1 contract

Samples: www.wipo.int

Moral Rights of Performers. (1) . Independently of a performer’s performer‟s economic rights, and even after the transfer of those rights, the performer shall, as regards his live aural performances or performances fixed in phonograms, have the right to claim to be identified as the performer of his performances, except where omission is dictated by the manner of the use of the performance, and to object to any distortion, mutilation or other modification of his performances that would be prejudicial to his reputation.

Appears in 1 contract

Samples: Treaty Series 2011

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Moral Rights of Performers. (1) Independently of a performer’s performer‟s economic rights, and even after the transfer of those rights, the performer shall, as regards his live aural performances or performances fixed in phonograms, have the right to claim to be identified as the performer of his performances, except where omission is dictated by the manner of the use of the performance, and to object to any distortion, mutilation or other modification of his performances that would be prejudicial to his reputation.

Appears in 1 contract

Samples: www.akdie.org

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