Biographies. Include brief biographies of the owner/s and key employees. Include resumes in the Appendix. Here, summarize your experience and those of your key employees in a few paragraphs per person. Focus on the special experience and skills each person brings to the business.
Biographies. The Engager shall ensure that the biographies of all Leading, Supporting and Featured Artists as defined in Appendix A shall appear in the house program. It is understood that size and placement shall be at the sole discretion of the Engager.
Biographies. All Stage Manager and Actors (including Understudies, and Swings) shall have a biography available to every patron free of charge either by printed program or online program, whichever is applicable. In the case of Understudies and Swings, the biography will appear in the next printing of the program after the print deadline or added to the online program, whichever is applicable, within one week following the first date of employment. The biography will contain professional credits and biographical data. The Stage Manager or Actor shall have the right of approval of biographical material, which approval shall be in writing or e-mail and not unreasonably withheld. Such approval shall include an indication of the preferred cuts in the event that limitations of space require editing. Should they fail to indicate such preferred cuts, the Producer shall be free to edit at the Producer's discretion. Biographical material not disapproved within 24 hours of its submission to the Stage Manager or Actor shall be considered approved. Replacement Stage Managers or Actors engaged for one week or more shall have biographical material either inserted in the printed program or added to the online program, whichever is applicable, if the company member replaced was a performing Principal Actor, Stage Manager, or a performing Chorus. (See Rule 11(A)(3).)
Biographies. All Actors, (including Stage Managers, Understudies, and Swings) shall have a biography in the program and souvenir program. In the case of Understudies and Swings, the biography will appear in the next printing of the program after the print deadline following the first date of employment. The biography will contain professional credits and biographical data. The Actor shall have the right of approval of biographical material which approval shall be in writing and not unreasonably withheld. Such approval shall include an indication of the preferred cuts in the event that limitations of space require editing. Should the Actor fail to indicate such preferred cuts the Producer shall be free to edit at the Producer's discretion. Biographical material not disapproved within 24 hours of its submission to the Actor shall be considered approved. Replacement actors engaged for one week or more shall have biographical material inserted in the program if the Actor replaced was a performing Principal Actor, Stage Manager, or a performing Chorus. (See Rule 10(A)(3).)
Biographies. A biography of each of the principal members of the cast.
Biographies. All Actors, (including Stage Managers, Understudies, and Swings) shall have a biography in the program and souvenir program. The biography will contain professional credits and biographical data. The Actor shall have the right of approval of biographical material which approval shall be in writing and not unreasonably withheld. Such approval shall include an indication of the preferred cuts in the event that limitations of space require editing. Should the Actor fail to indicate such preferred cuts the Producer shall be free to edit at the Producer's discretion. Biographical material not disapproved within 48 hours of its submission to the Actor shall be considered approved. Replacement actors engaged for one week or more shall have biographical material inserted in the program if the Actor replaced was a performing Principal Actor, Stage Manager, or Chorus. (See Rule 10(A)(3).)
Biographies. The Engager shall include the biography of all stage management personnel in the house program for all productions of the “The Nutcracker” and all full length ballets and will endeavour to include all stage management personnel’s biography in the house program for mixed repertoire productions. Stage management personnel shall have the right of approval of biographical material for the house program, which approval shall be in writing, and shall not be unreasonably withheld. Biographical material not disapproved within forty-eight (48) hours of its submission to the Artist shall be considered approved.
Biographies. XXXXXX XXXXX (Xxxxxx.Xxxxx@xxx0.xx) received a B.S. degree in telecommunications engineering from the Lebanese University of Beirut, Branch III, Lebanon in 2001, and an M.S. degree in network and computer science from the University of Paris VI, France, in 2002. That same year he trained at the Institut Supérieur d’Electronique de Paris (ISEP). He is currently a second year Ph.D. student at the University of Xxxxx 00, X0XX laboratory. His research interests include optical network management, policy-based net- work architectures, and GMPLS protocols. The O-SLA described in this article has been proposed for the purpose of meeting both the needs of clients and operators, and to provide guidance concerning service negotiations and agreements. XXXXXXXX XXXXX (Xxxxxxxx.Xxxxx@xxx0.xx) received a B.S. degree in computer science engineering from National Computer Science Institute (INI), Algiers, Algeria, and an M.S. degree in network and computer science from the University of Paris VI. He is currently a second year Ph.D. student at the University of Paris VI. His research interests include service management and optical networks. OLIVIER AUDOUIN (Xxxxxxx.Xxxxxxx@xxxxxxx.xx) received a B.S. degree in electronics engineering from the Ecole Nationale Supérieure d’Electronique et de Radioélectricité de Bor- deaux, France, in 1988. He is currently transport network architecture group leader in Alcatel Research and Innova- tion (R&I). His research interests include transport network architecture, GMPLS protocols, and network simulation. He has been involved in several projects pertaining to optical networks. XXXX XXXXX (Xxxx.Xxxxx@xxxxxxx.xx) received a Ph.D. in applied mathematics from the University of Paris VI in 1994. He is currently a research engineer in Alcatel R&I. His research interests include automated optical network man- agement and interoperability with client networks. He has been involved in several projects pertaining to optical net- work management. XXXXXXX DU-POND (Xxxxxxx.Xx-xxxx@xxx0.xx) received an M.S. degree in computer networks from the University of Paris VI, France, in 2002. He is currently a market director in a real state development business. His research interests include optical network control, service level agreements, and policy-based management. XXXXXX XXXXXXXXX (Xxxxxx.Xxxxxxxxx@xxxxxxx.xx) received an M Sc. degree in high frequency electronics from the Uni- versity of Paris VI in 2000. He then joined the Transport Networks’ Syste...
Biographies. Xxxxxxx Xxxx is a Master student with Soochow University in China. His esearch interest focuses on optical networks. Xxxxx X. Pan is a Product Manager at Xxxxxx.xx (Amazon subsidiary). His expertise lies in understanding cryptocurrency consensus algorithms, often evaluating new consensus algorithms with Bitcoin’s famous Proof of Work algorithm. Xxxxxx X. Xxxx received the Ph.D. degree from S.U.N.Y. Stony Brook. He is a Professor with XXX Xxxxxxxx. He has been working in various areas in the field of computer networks and queuing systems, and has published extensively in the area of optical networks and network routing. Xxxxx Xxxxx received the Ph.D. degree from the University of Texas at Dallas. She was an Assistant Professor with Arizona State University. She joined the Fujitsu Laboratories of America in 2008. She was a recipient of the Best Paper Award of GLOBECOM 2005, ONDM 2010, ICC 2011, and NetSoft 2016.
Biographies. The proposed evaluation will employ senior and experienced project staff members who have extensive experience developing process maps for touchpoints, conducting online surveys, conducting performance target tests, and providing documentation to project sponsors.
