Murals definition

Murals means a painting on an exterior as a work of art with no Commercial Message. "Noncommercial Flag" means any cloth, paper, canvas, light-weight fabric or other non-rigid material

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Murals. , means a graphic representation applied directly to an exterior building face or to another surface and mounted on a building, regardless of media or application technique, the primary purpose of which is decorative.

Murals means ‘wall’. It means that the activities which are performed within the wall or within the campus of an institution called ‘intramural’.

Examples of Murals in a sentence

Murals or any marks applied directly to walls or in a manner that causes a need for repainting or repair are prohibited.
For information regarding murals, please see Murals section below.
Murals are not permitted to be painted on any surface in the Village.
Murals, drawings or paintings of any kind are prohibited directly on walls, ceilings, closets, cabinets, etc.
After approval of the Final Design, the Artist shall install and apply the Murals displaying the Work in substantial conformity with the Final Design and in accordance with the installation and application schedule as that schedule appears in the Final Design.
Murals, drawings, or paintings of any kind are prohibited directly on walls, ceilings, closets, cabinets, etc.
The Proposal included a proposed concept or concepts for the Mural(s) instrumental in the City selecting the Artist for this project.
Murals in which this does not occur of course of superior quality.
Murals are a type of community art and are an integral part of the community.
This Public Art Policy applies to: • All permanent, transitory or community based public art for installation on District owned property; • All art that is funded wholly or in part by the District, or part of a District- endorsed arts program (e.g. a mural festival); and • Murals or any signs painted upon a building or structure that is owned by the District.

More Definitions of Murals

Murals means a painting on an exterior as a work of art with no Commercial Message.

Murals. “street performers”,“landscape”,“posters and advertising”,“the two shows she went to”, and “stained glass in the Tron ▇▇▇▇”. For each event, each group, and the whole day itself, participants chose a landmark photo. For those participants who took more than 80, we chose a random subset of 80 for grouping and preservation value decisions. We then sampled another subset of 30 photos that was designed to be representative of the day. For these 30 photos, participants were asked about meaningfulness, desired ease of retrieval (findability) and desired speed of retrieval. At Time 1, participants were asked to make handwritten notes, add their own tags, and select appropriate tags from a list of 20 frequent CERTH picture descriptors, which had been derived from automatic analysis of all 2013 photos. ▇▇▇▇ ▇▇▇▇▇▇▇▇▇ from partner USFD generated an additional list of 20 frequently mentioned concepts in the 2013 Festival Study interviews, such as Tron, Castle, Statue, Performer, Funny, and Comedy. For Time 2, a month later, each participant received a custom account on a preliminary version of DFKI’s PIMO5 system, which was pre-populated with concepts from partici- pants’ group and event descriptions, and the 30 photos that had been the focus of more detailed annotations at Time 1. Using PIMO5, participants were asked to make keep/delete decisions and to write anno- tations in the text fields. In order to motivate their annotations and keep/delete decisions, we said that we would use the data to provide them with a PDF scrapbook of their photos, complete with annotations. Meaningfulness and ease and speed of retrieval judgements were collected using pen and paper. For each photo, participants were also provided with the top 12 Twitter hash- tags from their day at the Festival and the top 6 CERTH categories, and asked to tick those hashtags and categories they would want to use to describe their own photo in their own notes. Appendix A provides a sample feedback form for the first two photos of Participant 1. The following sections provide preliminary results from this study. Due to the volume of data, we have focused on those analyses that are most relevant for ForgetIT applications, namely the value of automatic categorisations (Section 2.2.3), and preservation decisions (Section 2.2.4). The analysis of the consistency with which photos were assigned to event and non-event related groups is presented in Section 2.2.2.

Murals means any intentionally painted work of expression located on any structure sited on private property.

Murals means any intentionally created work of expression located on any the side of a structure sited on Private Property.