Controlled Compositions definition

Controlled Compositions means all musical Compositions or material recorded pursuant to this Agreement, which are written or composed, in whole or in part, or owned or controlled directly or indirectly by Artist or any producer of Masters subject thereto.

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Controlled Compositions. If any selection or musical composition, or any portion thereof, recorded in the Masters hereunder is written or composed by Producer, in whole or in part, alone or in collaboration with others, or is owned or controlled, in whole or in part, directly or indirectly, by Producer or any person, firm, or corporation in which Producer has a direct or indirect interest, then such selection and/or musical composition shall be hereinafter referred to as a "Controlled Composition". Producer hereby agrees to issue or cause to be issued, as applicable, to Artist, or Artist's designees, mechanical licenses (including, without limitation, any "first use" mechanical licenses) and other licenses in respect of each Controlled Composition subject to the same terms and conditions as are applicable to selections and musical compositions written, composed, owned, or controlled, in whole or in part, directly or indirectly, by Artist, which are embodied on the Master or any recording recorded under this agreement. For that license, on the United States and Canada sales, Artist will pay mechanical royalties at one hundred percent (100%) of the minimum statutory rate, subject to no cap of that rate for albums and/or EPs. For license outside the United States and Canada, the mechanical royalty rate will be the rate prevailing on an industry-wide basis in the country concerned on the date that this agreement has been entered into. Producer hereby grants Artist a license to reproduce Controlled Compositions that are embodied on the Master produced hereunder in synchronization with and in time relation to visual images featuring Artist's performances in so-called promotional "video programs", on a royalty-free basis and in so-called commercial "video programs", in being understood that Producer shall be entitled to Producer's pro- rata share of any royalties attributable to such commercial "video programs". Upon Artist's request Producer shall execute or cause Producer's publishing designee to execute and deliver to Artist, as applicable, all documents required by Artist, as applicable, to effectuate the purpose of this paragraph.

Controlled Compositions. (as that term is described and as set forth in Article 21 of the agreement dated as of the date hereof between Prelude Development Inc., and ▇▇▇▇ ▇▇▇▇▇▇ ▇▇▇▇, ▇▇▇▇▇▇▇ ▇▇▇▇▇▇ ▇▇▇▇ and ▇▇▇▇▇▇▇ ▇▇▇▇▇▇▇, collectively p/k/a "PokoLoco" ("Agreement") [with such Controlled Compositions hereinafter referred to individually, jointly and collectively as "Composition(s)"]), so that the entire worldwide right, title and interest, including the copyright, the right to copyright and any and all renewal rights, in and to the Compositions shall be owned by Publisher and by Participant in the percentages described below: PERCENTAGES:

Examples of Controlled Compositions in a sentence

All Controlled Compositions (defined as musical compositions composed in whole or in part by any individual member of Artist) are hereby licensed to G2 and its licenses for reproduction on Phonograph Records anywhere in the Universe.
Producer hereby grants Artist a license to reproduce Controlled Compositions that are embodied on the Master produced hereunder in synchronization with and in time relation to visual images featuring Artist's performances in so-called promotional "video programs", on a royalty-free basis and in so-called commercial "video programs", in being understood that Producer shall be entitled to Producer's pro-rata share of any royalties attributable to such commercial "video programs".
If any record contains one or more compositions which are not Controlled Compositions, then G2 will have the right to reduce the amount of Mechanical Royalties payable on the Controlled Compositions by an amount equal to the amount of mechanical royalties payable on non-Controlled Compositions.
All Controlled Compositions (defined as musical compositions composed in whole or in part by any individual member of Artist) are hereby licensed to Parallax and its licensees for reproduction on Phonograph Records anywhere in the Universe.
Artist grants to Company an irrevocable worldwide license to reproduce all compositions wholly or partly written, owned or controlled by Artist (the "Controlled Compositions").
Artist grants to Company a first mechanical license in respect to all Controlled Compositions.
If any record contains one of more compositions which are not Controlled Compositions, then G2 will have the right to reduce the amount of Mechanical Royalties payable on the Controlled Compositions by an amount equal to the amount of mechanical royalties payable on non-Controlled Compositions.
All Controlled Compositions (defined as musical compositions composed in whole or in part by any individual member of Artist) are hereby licensed to g2 and its licensees for reproduction on Phonograph Records anywhere in the Universe.
Artist shall issue a worldwide synchronization license for any Controlled Compositions embodied on a Video.
Your right to audit Universal's books and records as the same relate to Mechanical Royalties for Controlled Compositions is subject to the terms and conditions set forth in Article 8.

More Definitions of Controlled Compositions

Controlled Compositions which are compositions wholly or partially written, owned, or controlled by Artist, the producer, or any Person in which Artist or producer has a direct or indirect interest, (3) each name used by Artist and producer in connection with Recordings made hereunder, and (4) all other musical, dramatic, artistic and literary materials, ideas, and other intellectual properties, furnished or selected by Artist or the producer and contained in or used in connection with any Recordings made hereunder or the packaging, sale, distribution, advertising, publicizing, or other exploitation thereof (iv) No person other than Company has the right to use any existing Master Recordings of the Artist's or producer's performances for making, promoting, or marketing Records.