Supplemental Extras Sample Clauses

Supplemental Extras. (1) A Supplemental Extra may be identified as being of a general nature, e.g., the Sentry, the Doorman, the Mailman. Within a group of three or more, a Supplemental Extra may also be identified as a character for the purpose of adequately representing the nature of that group, e.g., a Sergeant with a group of soldiers, Townspeople differentiated as to profession and type of reaction within the group. Within a group, a Supplemental Extra may speak a single line, either fragmented to provide a realistic response or emerging singly but representatively from the group. A Supplemental Extra may not rehearse more than 120 non- consecutive hours, in increments of not less than three hours, before the first public performance for each production, and may understudy in “B+,” “B,” “C,” and “D” Theatres. (2) Supplemental Extras may sing and dance in dramatic plays where professional execution of professional singing and dancing is not required. (3) A list of Supplemental Extras shall be supplied to Equity prior to the commencement of rehearsals and Equity shall be notified of any additional Supplemental Extras assigned during the rehearsal process prior to the first paid public performance. This notification may be by telephone but shall be followed up by letter immediately. Once the show is in performance, Extras shall be reported on the weekly Pension and Health Benefits Report. (4) Determination of a Supplemental Extra is subject to Rule 15(D). (5) A Supplemental Extra may not be required to change makeup but may, however, make two costume changes. A Supplemental Extra may not tour, except in local tours. (6) All Theatres may use Supplemental Extras except “A” Theatres in New York and Los Angeles, and their number shall not be counted in the non-professional ratio.