Per Performance Contract Sample Clauses
A Per Performance Contract clause defines the terms under which payment or compensation is made based on each individual performance or event, rather than a fixed salary or lump sum. In practice, this means that an artist, speaker, or service provider is paid a set amount for every show, appearance, or completed task, with the total compensation depending on the number of performances delivered. This clause ensures that payment is directly tied to actual work performed, providing clarity and fairness for both parties by aligning compensation with output.
Per Performance Contract. There shall be a maximum of 42 hours of rehearsal in a workweek for a period not to exceed 14 consecutive days.
Per Performance Contract. Before the first public performance of the subsequent production, the Producer may schedule no more than a total of four additional hours of costume and/or picture calls outside of the permitted number of rehearsal hours, provided the Actor is compensated at no less than the prevailing Per Performance rehearsal rate for those hours.
Per Performance Contract. Non-performing Understudies engaged under a per performance contract may understudy no more than three Actors.
Per Performance Contract. A Producer shall be ineligible to employ individuals on Per Performance Contracts unless and until said Producer shall have furnished security in the amount of two weeks’ gross salary to cover the maximum number of Actors in the Producer’s employ, plus the applicable pension and health contributions for two weeks and a sum equal to 15% of the gross salary.
Per Performance Contract. (1) For each Actor who works 30 hours or more in a given week, the Producer will make the weekly health contribution specified in (A)(1) above for that week. No health contribution is due under the Per Performance Contract for any Actor who works fewer than 30 hours in a given week.
(2) The Producer on a Per Performance Contract may elect to make the weekly contribution specified in (A)(1) above. If this option is selected, such payment shall commence with the first day of rehearsal and continue through the termination of the Actor's contract. Once the choice of weekly health contribution is made, the Producer shall pay the prevailing weekly health contribution for that specific production and must continue to pay the health contribution until the closing of said production.
(3) If additional productions of the same play on a Per Performance Contract take place within the same season, the Producer shall again have the option of making the weekly health contribution on said productions
Per Performance Contract. Costume calls shall be paid at no less than the prevailing Per Performance rehearsal rate, regardless of the time and/or place of said calls. Unless the costume call is consecutive with a performance or rehearsal, it shall constitute a minimum two-hour call.
Per Performance Contract. The Producer shall pay the Actor employed on a Per Performance Contract all performance compensation due prior to the last performance in each workweek.
Per Performance Contract. On a day when there is no performance and the Actor is required to be on call for a full 24-hour period or part thereof while on tour or away from the company’s home base, the Actor shall receive no less than the Tier I Per Performance rate in addition to all other payments due. (See Rule 46(E).)
Per Performance Contract. Any hour or part thereof in excess of said 42-hour period shall be paid at the prevailing overtime rate per hour or part thereof.
Per Performance Contract. (1) When a Principal Actor or a member of the Chorus employed under a Per Performance Contract is performing in the production and is assigned to understudy a Principal role in the production, should he go on in the understudy role(s) as well as perform his own role(s) or Chorus function(s) in a single performance, that Actor shall be paid no less than $20.00 for each such understudy assignment, per performance, in addition to his contractual salary. In no event shall an Actor performing in a production understudy more than three roles.
(2) An Understudy who goes on solely in his understudy role(s) shall be paid no less than the prevailing overtime rate for each such understudy assignment, per performance, in addition to his contractual salary. (See Rule 46(H).) Said Understudy shall be paid no less than the prevailing rehearsal rate for all understudy rehearsals. (See Rule 46(F)(1).)