PAL Clause Samples
The PAL (Price Adjustment Limitation) clause sets boundaries on how much the price in a contract can be adjusted, typically in response to changes in costs or market conditions. This clause often specifies a maximum percentage or amount by which the contract price may increase or decrease, regardless of actual fluctuations in underlying costs. By capping price adjustments, the PAL clause provides predictability for both parties and protects them from excessive financial exposure due to unforeseen market volatility.
PAL. This space represents a large portion of the lower right corner of the television image. In addition, to prevent interference with international ID's, text elements shall not be placed between 41.3 microseconds and 50.3 microseconds between lines 34 and 81 (field 1) NTSC, lines 41 and 96 (field 1)
PAL. The bug used in postproduction by WPT, should maintain the same chrominance, luminance, and saturation levels as the bug airing out of master control. STANDARD DEFINITION AUDIO REQUIREMENTS: Audio program material shall be produced using industry standard and accepted norms for good practice and workmanship. The audio portion of the master and source audio and videotapes must be produced so that no noise, static, dropouts or extraneous distortion is recorded in the audio.
PAL. If we approve PAL for your accounts, a separate personal identification number (PIN) will be assigned to you. You must use your personal identification number (PIN) along with your account number to access your accounts. At the present time, you may use PAL to:
PAL. 1 new C-Format first generation color --- videotape of each Program conformed to PAL specifications (625 line) in
1.33:1 ratio and suitable for the reproduction of videotape copies therefrom of a first-class quality, with picture and sound.
PAL. This space represents a large portion of the lower right corner of the television image. In addition, to prevent interference with international ID's, text elements shall not be placed between 41.3 microseconds and 50.3 microseconds between lines 34 and 81 (field 1) NTSC, lines 41 and 96 (field 1) PAL. The bug used in postproduction by WPT, should maintain the same chrominance, luminance, and saturation levels as the bug airing out of master control. STANDARD DEFINITION AUDIO REQUIREMENTS: Audio program material shall be produced using industry standard and accepted norms for good practice and workmanship. The audio portion of the master and source audio and videotapes must be produced so that no noise, static, dropouts or extraneous distortion is recorded in the audio. Audio channels - Stereo audio must be fully mono compatible. The audio channels must be in the proper phase. NOTE: Full Mono Compatibility means that when the left and right stereo channels are actively combined to mono there is no discernible change in audio level or fidelity. Full mix and split audio tracks should be phase coherent (synchronized) to prevent difficulty editing between these tracks, as necessary. Audio Levels: Program audio must reflect reference tone level. Audio levels must be consistent throughout the program.. Transmission limiters clip at +8 dB. FOR BROADCAST "FULL MIX" TRACKS, TRANSIENT AUDIO PEAKS MUST NOT EXCEED +10 dB ABOVE REFERENCE TONE WHEN MEASURED ON AN AUDIO METER USING THE "TRUE PEAK" BALLISTIC SET (0 MS RISE, 200 MS FALL). FOR SECONDARY AUDIO TRACKS, SUCH AS MUSIC AND EFFECTS TRACKS, AND AUDIO ELEMENTS, PEAK LEVELS MUST NOT RISE ABOVE +17 dB (-3 dbfs). When mastering to a digital format and/or using an full scale or peak meter, where "0" is at the top of the scale and reference tone is at -20 dBfs, audio for the "full mix" tracks should peak at no more than -10