Opera Clause Samples
POPULAR SAMPLE Copied 1 times
Opera. Rates for opera broadcasts shall be subject to local negotiation, but in no case shall be lower than a floor of $91.08 per broadcast during the first year of the agreement (increasing thereafter to the amounts specified in Exhibit F).
Opera. Except where otherwise indicated, the terms and conditions of Article E2 (“MINIMUM RATES FOR PERFORMERS - REMOTE PICKUPS”) will apply to Operas recorded under this agreement. In addition, the following terms and conditions will also apply: • Opera performer definitions based on “AGMA Schedule C”. • Payment for Opera will be as per Rate Schedule 3 (“REMOTE RATES - OPERA”) as follows:
Opera. An up-front payment will be made to each Musician in the amount of 5.5% of weekly scale or 35% of per-service performance scale, whichever is applicable, subject, in either circumstance, to a minimum up-front payment of $85.72 per Musician. The up-front payment shall cover a recording containing 130 minutes of music or less (whether the orchestra plays in the pit or on stage). For every 16 additional minutes or portion thereof, an additional payment shall be made that is 1/8 of the original up-front payment. The up-front payment entitles the Employer to produce and sell 15,000 units.
Opera. Opera television programs shall be paid at the applicable per-minute rate for up to two hours of program, and thereafter shall be paid at 75% of the applicable per- minute rate.
Opera. The following discounts from symphonic rates apply to the recording of operatic works by opera orchestras other than as provided in (13) above:
(a) 15% if 3, 4 or 5 sessions are called.
(b) 20% if 6 or more sessions are called.
Opera. SDUK will shortly be issuing a similar contract for freelance Assistants and Staff Directors in opera.
Opera. Click on ‘Setting’ at the browser menu and select ‘Settings’ • Select ‘Quick Preferences’ • To enable cookies: check “Enable Cookies” • To disable cookies: uncheck “Enable Cookies” Note there are various levels of cookie enablement and disablement in Opera. For more information on other cookie settings offered in Opera, refer to the following page from Opera Software: ▇▇▇▇://▇▇▇.▇▇▇▇▇.▇▇▇/browser/tutorials/security/privacy/
Opera. 2.3. Customers need to sign up with the various platforms in their own right and agree to the terms and conditions for each platform, which will constitute an agreement between the customer and the platform provider.
2.4. The Socializa bundles Promotion Offer will be available to all new and existing Cell C Prepaid, Hybrid and Postpaid customers.
2.5. The Socializa bundles Promotion Offer will be available for purchase exclusively through the *147# USSD menu, Cell C App and Cell C Portal.
Opera. In addition, you must have and maintain a printer capable of printing any Disclosures that are e-mailed to you and/or made available on our website. In the alternative, you must have and maintain the ability to electronically save and visually display on your computer screen any Disclosures that are e-mailed to you and/or made available on our website. You understand that we do not make any warranties on equipment, hardware, software, Internet service provider, or any part of them, expressed or implied, including, without limitation, any warranties of merchantability or fitness for a particular purpose.
Opera the agreement, i.e., 1 hour of payment for each 10 minutes of finished product (15 minutes for opera).
(1) In advance of the location recording, the record company shall identify in writing the works intended to be recorded and included in the final product. The Company may later change any work that has not been recorded without penalty, and it may also add additional material to the planned disc at a later date without penalty. The Company is responsible for any additional payments if the additional work changes the length of the final product in such a way that an additional payment would be due.
(2) For the first such work recorded musicians shall receive a payment equivalent to 3 hours of session time, as it does in the case when a single work comprises the disc.
(3) For each subsequent work recorded musicians shall receive a payment equivalent to 2 hours of session time, provided however that the maximum amount of the payment shall not exceed the payment that would be due under the location recording provisions of the Sound Recording Labor Agreement as determined by the length of the planned final disc (1 session hour for each 10 minutes of finished product – 15 minutes in the case of operas – with half- hour increments; thus, for example, a 55 minute disc would be equate to 5.5 hours computed at straight time rates). Once the maximum payment has been reached, no further payments are due the musicians for material recorded.
(4) In the case of a recording which also includes material not performed by the orchestra, the musicians will be paid only for that amount of material which constitutes their performance on the disc.
(5) Non-playing Members of the orchestra receive 2/3 of whatever payment is received by playing members. If they play in some pieces but not others, they receive a 3 hour payment for the first piece in which they play, a 2 hour payment for any subsequent piece in which they play, and 2/3 of the appropriate payment for any pieces in which they do not play. However, in no case shall they receive an amount greater than that due a member who played on the entire disc.
(6) Extra players and substitutes who play in only some of the works involved are paid only for those works in which they perform. They are paid 3 hours for the first work in which they perform, and 2 hours for any additional work in which they perform. However, in no case shall they receive an amount greater than that due a member who played on the entire disc. The followi...
