Common use of MODIFICATION / ASSIGNMENT / MISCELLANEOUS Clause in Contracts

MODIFICATION / ASSIGNMENT / MISCELLANEOUS. This Rider and Contract is the sole and complete agreement between the parties with respect to the Engagement and supersedes all prior and contemporaneous agreements regarding the subject matter hereof. This Rider and Contract (or any part thereof) may not be changed, modified, or waived except by a signed, written agreement of the parties. Nothing in this Rider or Contract shall require the performance of any act contrary to the law or to the rules or regulations of any union, guild, or similar body having jurisdiction over the services of ARTIST or the Engagement. Whenever there is any conflict between any provisions of this Rider and Contract and any law, rule, or regulation, said law, rule, or regulation shall prevail, and this Rider and Contract shall be modified to the extent necessary to eliminate such conflict. This Rider and Contract may not be assigned without the written agreement of the parties; otherwise, any such attempted assignment shall be deemed null and void. All notices, consents, approvals, and the like given in connection with this Rider and Contract shall not be effective unless contained in writing, signed by the party giving same. PARAGRAPH HEADINGS Paragraph headings are used herein for convenience only and shall not be used to interpret this Rider. AGREED AND ACCEPTED BY: Purchaser Date TECHNICAL RIDER PURCHASER WILL PROVIDE "STATE OF THE ART" SOUND EQUIPMENT FOR PERFORMANCE. SOUND EQUIPMENT SHOULD ONLY BE PROVIDED BY PROFESSIONAL SOUND CONTRACTORS. ABSOLUTELY NO HOBBYISTS, MUSIC STORE PA'S, OR OPENING ACT SYSTEMS. PURCHASER MAY OBTAIN A LIST OF PREFERRED AND ACCEPTABLE SOUND CONTRACTORS FROM ARTIST'S PRODUCTION MANAGER. Producer/Artist reserves the option to use any and all of ARTIST'S equipment when ARTIST is headlining. NO ASSUMPTIONS SHOULD BE MADE AS TO THE USE OF ARTIST'S AND/OR ARTIST'S BAND'S EQUIPMENT BY ANY OTHER ACTS. PRODUCER or PRODUCER'S REPRESENTATIVE will determine the placement of any and all equipment owned by, placed on the stage by, or used by any and all opening acts. PURCHASER shall ensure that the stage area is completely cleared of any and all equipment, except PA and lighting equipment, before PRODUCER/ARTIST arrival. DETAILS OF THE FOLLOWING TECHNICAL RIDER SHALL BE APPROVED IN ADVANCE WITH ONE OR BOTH OF THE FOLLOWING PEOPLE: (Production Manager, Artist management, Artist or Tour Manager)

MODIFICATION / ASSIGNMENT / MISCELLANEOUS. This Rider and Contract is the sole and complete agreement between the parties with respect to the Engagement and supersedes all prior and contemporaneous agreements regarding the subject matter hereof. This Rider and Contract (or any part thereof) may not be changed, modified, or waived except by a signed, written agreement of the parties. Nothing in this Rider or Contract shall require the performance of any act contrary to the law or to the rules or regulations of any union, guild, or similar body having jurisdiction over the services of ARTIST or the Engagement. Whenever there is any conflict between any provisions of this Rider and Contract and any law, rule, or regulation, said law, rule, or regulation shall prevail, and this Rider and Contract shall be modified to the extent necessary to eliminate such conflict. This Rider and Contract may not be assigned without the written agreement of the parties; otherwise, any such attempted assignment shall be deemed null and void. All notices, consents, approvals, and the like given in connection with this Rider and Contract shall not be effective unless contained in writing, signed by the party giving same. PARAGRAPH HEADINGS Paragraph headings are used herein for convenience only and shall not be used to interpret this Rider. AGREED AND ACCEPTED BY: Purchaser Date TECHNICAL RIDER PURCHASER WILL PROVIDE "STATE OF THE ART" Professional Quality LIGHTS AND SOUND. NO PEAVEY, BEHRINGER OR PROSONUS. NO HOBBY OR AMATURE SOUND EQUIPMENT FOR PERFORMANCEENTHUSIAST. SOUND EQUIPMENT SHOULD ONLY BE PROVIDED BY PROFESSIONAL SOUND CONTRACTORSCOMPANY ONLY. ABSOLUTELY NO HOBBYISTSA. MONITOR MIXES – at least 5 Monitor mixes. Two Monitors required for “Star Mix”. All Monitors capable of full mixes with drums, MUSIC STORE PA'Sbass, OR OPENING ACT SYSTEMS. PURCHASER MAY OBTAIN A LIST OF PREFERRED AND ACCEPTABLE SOUND CONTRACTORS FROM ARTIST'S PRODUCTION MANAGER. Producer/Artist reserves the option to use any and all of ARTIST'S equipment when ARTIST is headlining. NO ASSUMPTIONS SHOULD BE MADE AS TO THE USE OF ARTIST'S AND/OR ARTIST'S BAND'S EQUIPMENT BY ANY OTHER ACTS. PRODUCER or PRODUCER'S REPRESENTATIVE will determine the placement of any and all equipment owned byguitars, placed on the stage bykeys, or used by any and all opening acts. PURCHASER shall ensure that the stage area is completely cleared of any and all equipment, except PA and lighting equipment, before PRODUCER/ARTIST arrival. DETAILS OF THE FOLLOWING TECHNICAL RIDER SHALL BE APPROVED IN ADVANCE WITH ONE OR BOTH OF THE FOLLOWING PEOPLE: (Production Manager, Artist management, Artist or Tour Manager)vocals etc.