MIXING CONSOLE Clause Samples
The 'Mixing Console' clause defines the requirements and specifications for the audio mixing equipment to be provided or used in a project or event. It typically outlines the technical standards the mixing console must meet, such as the number of input channels, compatibility with other audio systems, and any specific features required for the production. By clearly stating these requirements, the clause ensures that the audio quality and operational needs are met, preventing misunderstandings and technical issues during setup or performance.
MIXING CONSOLE. ▇▇▇▇ brings a digital mixer and will send front of house a stereo balanced 1/4” (Line Level, no DI Boxes) output mix of Bass, Synths and Vocals (same as his in ear mix) and a separate stereo Balanced 1/4” output for the Vocals (in case more vocals are required in the house. Start with this output zeroed and bring up as needed). House will mix the drums (mix like a rock/electro project).
MIXING CONSOLE. (Must be located mid house and not in a booth or under balcony) 32 Input, 8 Sub-master professional console with channel and sub-master inserts. 4 band FULLY parametric EQ (with Q) for each channel, 48 volt phantom power and a minimum of 6 aux sends. Preferences: Midas XL4, Yamaha PM 5000, PMD1, DigiCo Live 5, Innovasion
MIXING CONSOLE. DIGITAL PREFERRED.
MIXING CONSOLE. One 24 channel mix console with 4 band fully parametric (with Q), capable of (7) seven discreet monitor mixes. Preferences: Midas, Soundcraft Front of House mixing console with a minimum of 32 inputs and 8 subgroups. With 6 pre fader auxiliary sends, four band FULLY parametric EQ (with Q) on each input channel, also, insert points on all channels and subgroups is required. Both consoles must be capable of 48 v. Preferences: Midas Pro, Soundcraft Vi6 Speaker systems must be high quality for ex: D&B, L-ACOUSTICS, ▇▇▇▇▇ High quality bi-amped monitor wedges with 1-2 x 12"speakers ▇▇▇▇▇▇ ▇▇▇▇▇, D&B,,,▇▇▇▇▇▇, ▇▇▇▇▇▇ ▇▇▇▇
MIXING CONSOLE. An active system with 24 channels and Parametric EQ (not placed or resting on the stage). Yamaha M7CL , YAMAHA LS9, or YAMAHA PM5D are preferred (may be substituted by one of the following types: D&B, C-Hell ARC, EAW KF850, EV MT2/4, ▇▇▇▇▇▇ W8, ▇▇▇▇▇ MSL3/4, Nexo Alpha.) 8 comp+▇▇ ▇▇▇▇▇ 2 gate 1 Delay d2 3 Spx CdR