Minimum Complement Sample Clauses
The Minimum Complement clause establishes the lowest number of participants, units, or resources required for a particular activity, agreement, or operation to proceed. In practice, this clause might specify that a project cannot begin unless a certain number of team members are assigned, or a service will only be provided if a minimum number of customers enroll. Its core function is to ensure operational viability and efficiency by preventing the commencement of activities that would be impractical or uneconomical with insufficient participation or resources.
Minimum Complement. 1. The following orchestra complement shall be employed for locally produced opera presentations in the Opera House: Strings: 10-8-6-6-3 Flutes: 2 Oboes: 2 Clarinets: 2 Bassoons: 2 Horns: 2 Trumpets: 2 Timpani: 1 Operas scored for fewer strings than these minimums may be played as scored, so that the musical intention of the composer is not violated, and the string minimums shall not apply.
2. There shall be no established minimum number of musicians required for opera performances in the Terrace Theater.
3. The above provisions notwithstanding, for unusual engagements or new works, the complement and instrumentation will be established as scored or as artistically conceived by the creator (e.g., ▇▇▇▇▇ IN CHINA, ▇▇▇▇▇ ▇▇▇▇▇'▇ ▇▇▇▇▇▇).
Minimum Complement. The Station shall employ at least 18-full-time employees in the bargaining unit.
Minimum Complement. 1. The minimum orchestra complement for locally produced opera presentations in the Opera House shall be all tenured musicians up to a maximum of sixty-one (61) as follows: Strings: 10-8-6-6-3 Trumpets: 3 Flutes: 3 Trombones: 3 Oboes: 3 Tuba: 1 Clarinets: 3 Harp: 1 Bassoons: 3 Timpani: 1 Horns: 5 Percussion: 2
2. For opera presentations in the Eisenhower Theater, the orchestra complement will be as needed for each production with no minimum. Instead, all tenured musicians shall be employed for the applicable weekly minimum number of hours (set forth in Section 8.C.2. below) with each musician engaged for additional hours only as needed and subject to work rotation. Outside the Core Season (8.C.1), there shall be a minimum complement of 20. Notwithstanding the foregoing, if the original orchestration of a work calls for fewer than 20 musicians, the minimum complement shall be an orchestration by the original composer. Notwithstanding the foregoing, for Hansel and Gretel, the minimum complement shall be the reduced orchestration by ▇▇▇▇▇▇▇▇ ▇▇▇▇▇. If fewer than thirteen (13) musicians are used, tutti musicians shall receive an overscale of l5%, and titled musicians’ overscale shall be increased 15% (e.g., Principal musicians normally receiving 25% overscale as reflected in Article 4.A.3 would receive 40% overscale for such services).
Minimum Complement. During the term of this Agreement, the Station will employ a minimum complement of thirty (30) full-time employees for this bargaining unit.
Minimum Complement. Variety shows and industrial shows shall employ a minimum of eighteen (18) local musicians for each performance.
Minimum Complement. 1. A minimum of twenty (20) local musicians shall be employed for a major musical and/or operetta presentation in the Opera House.
2. A minimum of nine (9) local musicians shall be employed for musical and/or operetta presentations in the Eisenhower Theater.
3. It is intended that employment shall be offered first to tenured musicians, except that if a tenured musician is not available for an entire engagement, including rehearsals, or if employment is subject to an exclusion as set forth in Article II, Section 2.B. herein, then employment may be offered to a non-tenured musician. However, the amount of income that the tenured musician would have earned if he/she had accepted the engagement will be credited towards that individual tenured musician's employment guarantee as set forth in Section 3.A.1. above as if actually earned by that musician.
4. There shall be no established minimum number of musicians required for performances in the Terrace Theater. The parties agree that they shall negotiate in good faith, as the need may arise, rates payable for work in the Terrace Theater.
5. Notwithstanding the above provisions for minimums, the terms of Pamphlet B shall determine the minimum number of local musicians required to be employed for a Pamphlet B musical or operetta in the Opera House.