Casting. 10. Casting decisions are made by Philadelphia Ballet’s Artistic Team on the basis of height, musicality, presence, behavior, work ethic and technique. Casting decisions are final and non-negotiable.
Casting. The Artistic Director makes all casting decisions after consulting with the NMBC artistic staff, and is responsible for all production matters. All casting decisions are final and non- negotiable. Dancers must fulfill their obligation to do ALL of the roles assigned to them, including understudying assignments. Conflicts will affect casting. All dancers must complete the conflict section for review and approval or disapproval. Simply stating a conflict exists does not guarantee an excused absence. If a dancer has a legitimate conflict with the rehearsal schedule, the dancer must request a meeting with the Artistic Director, preferably during the audition weekend or at casting. PARTICIPATION AND ATTENDANCE
Casting. In the case where class is to be observed for the purposes of casting, the Dancers will be notified of such no less than forty-eight (48) hours in advance, so that they may prepare accordingly.
Casting. Casting is the responsibility of the School Director who must consider the specific needs of an entire production. Dancers are required to accept the roles for which they are cast and are encouraged to think in terms of dancing as part of a complete production rather than dancing an isolated piece of the production that may or may not fit what they had in mind for themselves. Every member of the Company or Apprentice Company may not be cast in every performance, but are still expected to serve as understudies. Casting as an understudy should be considered as an opportunity to learn and dance a role, not as an unnecessary or unimportant task. Understudies are essential in every production and are often required to perform a role. Dancers not cast in a production are still expected to be present at all rehearsals and performances as understudies and in support of their fellow dancers.
Casting. The cast, director, artistic staff and design elements, including all replacements thereof and understudies therefore, shall be subject to the exclusive approval of the Essential Theatre.
Casting. With the exception of roles designated for Children, the assignment of a Student in a production may not exceed the performance casting assignment of any season Dancer (including Apprentices), Guest Artist, Supplementary Dancer, Character Artist or Replacement Dancer, unless the Student is engaged on an Engagement Contract as such. Casting assignments shall be assessed broadly across the entire run of a production and not on an individual performance basis. 18:00 FEES AND OTHER COMPENSATION
Casting. Playwright agrees that all casting decisions for the workshop production shall be within the exclusive control of Theatre.
Casting. Casting is the responsibility of the School Director who must consider the specific needs of an entire production. Dancers are required to accept the roles for which they are cast and are encouraged to think in terms of dancing as part of a complete production rather than dancing an isolated piece of the production that may or may not fit what they had in mind for themselves. Every member of the Company or Apprentice Company will be cast in a performing role in every production, but not necessarily in every ballet. Casting as an understudy should be considered as an opportunity to learn and dance a role, not as an unnecessary or unimportant task. Understudies are essential in every production and are often required to perform a role. Casting as an understudy does not mean that a dancer will dance a certain role in a subsequent season. REHEARSALS Company class and rehearsals for the 2016-2017 season will be held: Thursdays 6:30-9:00p Saturdays times TBA Rehearsals may be called on Sunday when no other time can be arranged. Rehearsals may be called at other times when dancers are free. Dancers must attend all rehearsals for ballets in which they have been cast or cast as understudies. Additional rehearsal times will be announced at least 24 hours before any rehearsal. Dancers must attend all technical and dress rehearsals for any ballet in which they have been cast or cast as understudies. Any dancer who may be unable to attend a rehearsal for any reason should notify the Artistic Director at the earliest possible date. PHOTO CALLS AND FITTINGS Dancers must attend all photo calls and fittings required for the roles for which they have been cast. Female dancers should be prepared to appear in a black leotard, pink tights and pink ballet shoes. Male dancers should be prepared to appear in a white tee shirt, black or gray tights, white ankle length socks and white shoes. COMPANY FUNCTIONS Dancers may from time to time be asked to appear as a group in special workshop classes, lecture demonstrations, publicity functions or company fundraisers. At such functions dancers should be prepared to appear in the dress outlined above and should conduct themselves as representatives of the company at all times. COSTUMES AND MAKE-UP Dancers must provide their own rehearsal and performance tights and shoes except when special tights and shoes are required as part of a costume. All costumes will be provided by the company and must be handled with care by the dancers. Make-up...
Casting. Steel is poured from ladle into continuous-casting machine where it is cut into billets, blooms or slabs. Continuous-casting machines have the following components; water-cooled copper mold; a cooling chamber; pinch rolls and rollers for supporting the casting. A steel plant contains an EAF and thin-slab caster has a much lower investment cost, and less energy is consumed to reheat the slab.
Casting a. Modify Sideletter No. 37 ("Casting") as follows: SIDELETTER NO. 37 “As of July 1, 2014; “Revised as of July 1, 2017; “Revised as of July 1, 2020 “Xx. Xxxxx X. Lombardini President Alliance of Motion Picture and Television Producers, Inc. 00000 Xxxxxxx Xxxxxxxxx, Xxxxxxxx X Xxxxxxx Xxxx, California 91403-5885
