Auditions Code Clause Samples
The Auditions Code clause establishes the rules and procedures governing the audition process for a production or event. It typically outlines how auditions are to be conducted, who is eligible to participate, and the standards for evaluating candidates. For example, it may specify requirements for notice, audition materials, and the presence of union representatives. This clause ensures fairness and transparency in the audition process, protecting both the rights of performers and the interests of producers by setting clear expectations and minimizing disputes.
Auditions Code. For the purpose of this Clause, an audition may constitute interviews, readings from a given text, presentation of prepared pieces, improvisations and callbacks. Each Theatre shall declare its inclusive casting policy in casting notices and breakdowns. The following Clauses apply to all auditions (except as stipulated hereunder):
Auditions Code. For the purpose of this Clause, an audition may constitute interviews, readings from a given text, presentation of prepared pieces, improvisations and call-backs. (See Clause Musical Auditions). The following Clauses apply to all auditions (except as hereunder): Where Equity a complaint regarding an audition venue, Equity shall be given the opportunity to inspect the said venue and if deemed unsuitable an alternate suitable venue shall be found at the expense of the Theatre. Actors shall be called to audition at specific times and shall not be called in groups unless necessary for physical screening, improvisation or voice blending. Auditions shall be limited to three calls of a maximum of one hour each per actor for each production which may be assigned. Said Actor shall be compensated at the rate of one eighth of minimum weekly fee for the Company Category in which the production will be presented, for each audition over three to which he/she is called. For Sector 2 theatres, if the first audition a general call, where no individual appointments are scheduled in advance of the date of the call, that call shall be in addition to the three unpaid calls, provided that the artistic team conducting the audition must be identified by name and title to the Artists not later than when the appointment is made. For each production mounted by the Theatre, the Theatre agrees to hold auditions in Canada prior to the holding of auditions elsewhere. Furthermore, for each production, there will be a final audition call in Canada, and such auditions will be conducted ‘by an individual having full casting authority; additionally, in the case of the final audition call, the Director of the production must be present and must see all called back to the final audition. Auditions for casting must be held for Equity members and Equity registered Apprentices in advance of auditions held for non-Equity performers. Whenever possible, the Theatre will make provision for evening auditions as part of its audition schedule in order to provide an opportunity for those artists who are working during the day. Where the needs of the Theatre dictate, at least once per year the Theatre will hold auditions in one major centre in Canada (e.g. Halifax, Montreal, Ottawa, Toronto, Winnipeg, Regina, Calgary, Edmonton, Vancouver). Such auditions may be general in nature in order to review available talent or for specific production(s). Additionally, the Theatre will schedule auditions in the city...