March 2016 Clause Samples

March 2016 https://www.youtube.com/watch?v=-obsfhj7siY. Dar El Shorouk. http://www.shorouk.com. Dar Onboz. https://www.facebook.com/pages/Dar-Onboz Dār al-Šurūq. http://www.shorouk.com/about/arabic.aspx Dār Ṯaqāfat al-Aṭfāl/Children Culture House. http://childrenculturehouse.gov.iq.
March 2016. ▇▇▇▇, ▇.▇. “Unfriended ingeniously commits to its laptop horror gimmick.” A.V. Club. 16
March 2016. London Convention/London Protocol Scientific Group (LC SG 39/LP SG 10)
March 2016. Eni signed today a Farm-Out Agreement (FOA) with Chariot Oil & Gas to enter into Rabat Deep Offshore exploration permits I-VI, located in the Northern Atlantic Margin of Morocco. The completion of this FOA is subject to the authorization of the Moroccan authorities, to current partners’ approval and other conditions precedent.
March 2016. E. ▇▇▇▇▇▇ ▇▇-▇▇▇▇▇▇▇▇, Minister of Public Works and Housing, thanked the Kingdom of Saudi Arabia and its people, and the Saudi Fund for Development for their generous support to the Palestinian people, and Gaza specifically. “This contribution comes at a critical time for the Gaza population. We, at the Ministry, will make all possible efforts for the reconstruction of what was destroyed during the recent war and strengthen the steadfastness of the Palestinian people in the West Bank, Gaza Strip and Jerusalem,” he added. The project, funded by the Government of Saudi Arabia through the Saudi Fund for Development, will include the rehabilitation of more than 5,000 houses for Palestinian non-refugees affected by the 2014 hostilities in the Gaza Strip, in addition to the maintenance, furnishing and equipping works for three schools namely the Rosary Sisters, Holy Family and the Greek Orthodox Patriarchate School. UNRWA will administer the grant and be involved in monitoring of the project, advising on construction, based on its vast experience in the Gaza Strip. “The partnership that UNRWA has developed with the Saudi Fund for Development through important construction projects for Palestine refugees in the Gaza Strip, is further demonstrated through its trust in the Agency working with UNDP on another shelter initiative enabled by this generous contribution. Further support from SFD to Palestinians in the Gaza Strip is another positive step in the recovery efforts for all families affected by the 2014 conflict,” said ▇▇ ▇▇ ▇▇▇▇▇▇, Director of UNRWA Operations in Gaza. As part of the agreement, UNDP will make available its technical resources to implement the project activities. The self-help modality will be used during the project, where families will be provided with support to rebuild their homes and indirectly improve their livelihoods. The programme will prioritize female-headed households and will take into consideration family size and current socio-economic status of targeted population. “The shelter and education needs in Gaza are enormous. This generous contribution from the Saudi Fund for Development will support the Palestinian people in Gaza restore their livelihoods, have access to education and sustain a living. This agreement is another example of the joints efforts made by UNDP and UNRWA to support the recovery process and resilience of the Gaza population,” said ▇▇▇▇▇▇▇ ▇▇▇▇▇▇, UNDP Special Representative of the Administrator. It is worth n...
March 2016. ▇▇▇▇▇▇, ▇▇▇▇▇▇. “In Unfriended, Horror Unfolds on a Desktop Screen.” The New York Times. 8 April 2015. Web. 13 March 2015.
March 2016. Latest within 14 March 2016, the Borrower shall deliver to the Agent the following documents or evidence of facts (as the case may be) in a form and substance satisfactory to the Agent:
March 2016. The ▇▇▇▇▇ Witch Project, at least) as in the screen-captured film. Cinematic conventions such as shots, edits, depth, and movement do not apply or, at the very least, avoid easy identification and remain concealed under the logic of computing. Camera movement and deep staging are minimal or, more accurately, minimized and relegated to occupying small portions of screen space, not unlike the experience of windowed multitasking. In mimicking the aesthetics of the computer interface, screen-captured films appear to lose some of their cinematic markers altogether. Upon closer inspection, however, Unfriended seems to combine the oppositional techniques of montage and mise-en-scène to construct an experience that is simultaneously unlike watching a movie or using a computer. When shown on a movie screen, the picture is too unlike film; when on a computer display, it falls short of interactive media. The first few seconds of Unfriended, to the attentive viewer, foreshadow the sinister role that digital technologies will assume later in the film. As the familiar brass section of the Universal Studios title sequence begins to blare, the viewer expects the word “UNIVERSAL” to smoothly come to a halt horizontally across the illuminated globe of the production company’s logo. However, as one waits for the sounds and images to coalesce into the famous emblem, something strange happens: the words jump and glitch, becoming distorted and blurred, the audio track takes of a mechanical, menacing tone. Similarly, the visuals blur until the picture is rendered indiscernible; the once-glowing Earth is effectively swallowed by the abyss of space. The pixelated image adopts a strange rhythm, one that resembles a heartbeat. The effect is that the spectator believes their copy of the film to be damaged if watching it on their computer or mobile device, or they may chalk it up to technical difficulties in the projection room. Regardless of the reason, the title card immediately raises suspicion and does not readily remind viewer of watching a film.13 The opening seems to be predictive of its likely most popular exhibition platform, the personal computer with its many blemishes.14 It proposes an iconic and often overlooked moment of the filmwatching experience and turns it into something uncanny, yet this inaugural glitch serves as the first sign of film’s intention to force the two media into each other. Lagging streams and otherwise distorted visuals are common in Unfriended, embo...
March 2016. The Government reserves the right not to respond to any questions received concerning this solicitation after the questions receipt date above. Accordingly, Vendors are encouraged to carefully review all solicitation requirements and submit questions to the Government as early as possible.
March 2016. Five months after ▇▇▇ stated its intention to revoke, permits remained in effect as CSI continued site preparations.