Run-Through Rehearsal Sample Clauses

Run-Through Rehearsal. ‌ A "Run-Through Rehearsal" is defined as a rehearsal with the intent to rehearse a work in its entirety.
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Run-Through Rehearsal. A rehearsal with the intent to rehearse a work in its entirety.
Sample 1Sample 2
Run-Through Rehearsal. ‌ The term "Run-Through Rehearsal" is defined as a rehearsal where the intent is to dance a section(s) of a ballet(s) or a complete work in its entirety. A Run-Through Rehearsal may take place in costumes on a Rehearsal Day or Performance Day without make-up, provided there be a "fifteen-minute call" on either side of the Rehearsal whether it happens in a studio or on stage, which shall be considered part of normal rehearsal time for the purpose of putting on costumes. The requirement for a “fifteen-minute call” on either side of the Rehearsal, whether it happens in a studio or on stage, shall be considered part of normal rehearsal time for the purpose of putting on costumes and applies to all casts. A Run-Through Rehearsal may be three-and-a-half (3-1/2) hours in length including the two (2) fifteen-minute calls without incurring overtime. On a Performance Day, when the time of rehearsal permitted in Clause 25:03(C) is exceeded only by reason of one or both of the fifteen-minute call allowances for the putting on and removal of costumes and the ballet being rehearsed is a full-length version of Xxxxx and Xxxxxx or a full-length version of Swan Lake, no overtime payment will be required. The second fifteen-minute call must be given following the completion of a run- through in costume(s) after which the Artist involved may be asked to rehearse other ballets which are not in costumes.
Sample 1
Run-Through Rehearsal. ‌ The term "Run-Through Rehearsal" is defined as a rehearsal where the intent is to dance a section(s) of a ballet(s) or a complete work in its entirety. A Run-Through Rehearsal may take place in costumes on a Rehearsal Day or Performance Day without make-up, provided there is a "fifteen-minute call" on either side of the Rehearsal whether it happens in a studio or on stage, which shall be considered part of normal rehearsal time for the purpose of putting on and removal of costumes. The requirement for a “fifteen-minute call” on either side of the Rehearsal, whether it happens in a studio or on stage, shall be considered part of normal rehearsal time for the purpose of putting on and removal of costumes and applies to all casts. Each Artist shall be given the opportunity to have a run-through in costume for all roles they are required to perform prior to their first performance of each role. In all cases, costumes will be made available for all roles affected by cast changes. A Run-Through Rehearsal in costume may not be required in the case of a casting change necessitated by last-minute illness or injury, or while on tour. For these purposes, last-minute is considered as less than seventy-two (72) hours prior to the affected performance. A Run-Through Rehearsal may be three-and-a-half (3-1/2) hours in length including the two (2) fifteen-minute calls without incurring overtime. On a Performance Day, when the time of rehearsal permitted in Clause 25:03(C) is exceeded only by reason of one or both of the fifteen-minute call allowances for the putting on and removal of costumes, no overtime payment will be required. If, after the completion of a run-through, the Artists involved are asked to rehearse other ballets, the second fifteen minute call must be given immediately following the completion of the run-through. Otherwise the second fifteen minute call may be given at the end of the rehearsal block.
Sample 1

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