Recorded Music Clause Examples
The 'Recorded Music' clause defines the terms and conditions governing the use, ownership, and rights associated with music that has been captured in a tangible format, such as audio recordings. This clause typically specifies who holds the copyright to the recordings, how the recordings may be used or distributed, and any royalties or permissions required for their use. By clearly outlining these aspects, the clause helps prevent disputes over intellectual property rights and ensures that all parties understand their obligations and entitlements regarding the recorded music.
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Recorded Music. Recorded music of any type shall not be used as a substitute for orchestral rehearsals covered by this agreement without the specific approval, in writing, of the Toronto Musicians' Association. In performances for which the Orchestra is engaged and paid, repertoire for segments of such performances may be performed without the use of the Orchestra. Notwithstanding, The National Ballet agrees not to use a virtual orchestra or any other mechanical, synthetic or technological manifestation of a virtual orchestra to reproduce or perform music except with the specific written approval of the Toronto Musicians' Association. It is understood that use of recorded music as previously used in the past during productions, or as permitted under Article 41, which do not affect the use of live musicians during other portions of the service is acceptable. Compositions written expressly for live musicians with synthesized, electronic or pre-recorded sound, but excluding the use of a virtual orchestra (or similar type) machine, will also be acceptable.
Recorded Music. RECORDING SESSIONS Where practicable, the National Theatre agrees that all recording will take place in the UK. Recording session fees will be paid as per the prevailing MU / BPI Agreement. Q. NT LIVE, NT AT HOME, NT COLLECTION As per Appendix E ‘18.a 30+ players (per hour)’ of the prevailing MU /
Recorded Music. The record label division provides a "one-stop shopping" forum for artists, because all services of a major record label are provided in-house at MMG, including promotions, marketing, artist development and access to music recording and video facilities. MMG will also be able to provide co-publishing and management services to artists signed to MMG's record label division, enabling MMG to act as a true partner to a recording artist by actively participating in all facets of the artist's career. Mega Media Records already has an impressive roster of talent that includes rap legends Junior Mafia, platinum hip-hop producer Minnesota, R&B sensation Xxxxx Xxxx. MMG's state-of-theart recording and editing studios in Brooklyn, and its satellite studios in mid-town Manhattan, provide a comfortable and functional setting for all MMG artists to create and record their art. MMG's goal is to acquire both established and new recording artists, balancing risk by tapping into the existing fan base of established artists while investing in unknown artists who management believes have the potential to be the superstars of tomorrow.
Recorded Music. 30.1 Recordings, tapes or other mechanical devices may not be used to accompany or to provide background music to live stage performances in theatrical venues, except as may be authorized by the Board of Directors of the Association. Recorded music of any type shall not be used as a substitute for orchestra rehearsals without the specific approval in writing of the Toronto Musicians’ Association.
30.2 The foregoing restriction also applies to stage plays containing incidental music. However, the Theatre may elect to utilize a recorded version of original music composed expressly for the production. The use of such recorded original incidental music is permitted subject to payment of the applicable A.F.M. fees to the composer and the session musician(s) rendering such recording services.
30.3 Recorded music may be used prior to curtain, during intermission or following the show provided that the Theatre agrees that SOCAN has the legal right to license the use of such recorded material and to collect fees therefore. The use of recorded material as aforesaid is not intended to preempt overture, entr’act or play-out music that constitutes an integral part of the musical score.
Recorded Music. The operating results of a record company, especially in the pop market, are affected by changing audience tastes and particularly by the record company's ability to identify, attract and retain new talent that will gain acceptance in the marketplace quickly. Platinum and Gold believes that its management has the creative ability to sign and retain artists who will appeal to popular taste over an extended period of time. Each Platinum and Gold division has its own artist and repertoire (ALR) staff whose task it is to identify and sign new artists with potential international appeal and who are not necessarily known in the US.
Recorded Music. When recorded music is used for performances, the conductor will set the tempos on the recordings.
Recorded Music. NZ agrees to defend The Rights Holder against, and pay the amount of any adverse final judgment (or settlement that Recorded Music NZ consents to) resulting from any claims made against The Rights Holder by any Sub-Licensees or any third party that arise as a result of a breach of the warranty in clause 8.2 or 8.3 or where Recorded Music NZ grants rights that Recorded Music NZ has not been granted.