Musical Theatre Sample Clauses

Musical Theatre. Performing Artists engaged exclusively for a musical theatre work may be required to rehearse (prior to the first public performance) seven (7) hours out of a span of eight-and-a-half (8-1/2) hours per day, with a meal break of at least one-and-a-half (1-1/2) hours after no more than four (4) hours of rehearsal. During the last ten (10) days prior to the first public performance there may be four (4) days of eight (8) hours rehearsal out of a span of twelve (12) hours, with a meal break of at least one-and-a-half (1-1/2) hours after no more than four (4) hours of rehearsal. During the first fourteen (14) days after the first public performance, there may be seven (7) days on which the artist may be required to rehearse in one (1) continuous call of five (5) hours, beginning no earlier than 11:00 a.m. However, no rehearsal may take place on a two-performance day. Following this fourteen- day period, there may be one (1) four-hour rehearsal call per engagement week, which may not take place on a two-performance day, or on the day following the free day. The rehearsal provisions in this Article are contingent upon the Engager providing at least three (3) weeks of rehearsal prior to opening. When contracting an Artist for musical theatre, the Engager agrees to inform the Artist of the rehearsal hours governing the engagement by means of a rider to the Artist's COA Engagement Contract.
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Musical Theatre. ‌ In the case of musical theatre, the Artist may be required to take part in up to eight (8) performances in each engagement week. However, this requirement must be stipulated on a rider to the Artist's Opera Agreement Engagement Contract, or otherwise the Artist may not be required to sing an eighth performance. If the Artist agrees to do so, said Artist shall be paid the requisite additional performance rate.
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Musical Theatre. For musical theatre, please refer to Article 53:00.
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Musical Theatre. In the case of musical theatre, the Artist may be required to take part in up to eight (8) performances in each engagement week. However, this requirement must be specifically negotiated with each Artist and stated on the Artist's COA Engagement Contract, otherwise the Artist may not be required to perform an eighth performance. Clause 17:04 below will not apply if the schedule of performances is negotiated and stipulated on the Artist's COA Engagement Contract.
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Musical Theatre. ‌ Performing Artists engaged exclusively for a musical theatre work may be required to rehearse (prior to the first public performance) seven (7) hours out of a span of eight-and-a-half (8-1/2) hours per day, with a meal break of at least one-and-a-half (1-1/2) hours after no more than four (4) hours of rehearsal. During the last ten (10) days prior to the first public performance, one (1) day of eight (8) hours of rehearsal out of a span of twelve (12) hours, with a meal break of at least one-and-a-half (1-1/2) hours after no more than four (4) hours of rehearsal, may be scheduled instead of one of the dress rehearsals under Clause 16:07(B). The intent of this extended rehearsal day is to facilitate the technical requirements of the production in the theatre, and the Artist shall not be required to participate in more than one (1) dress rehearsal (or run-through) of the production during this rehearsal. Clause 16:07(A) shall not apply to musical theatre.
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Musical Theatre. ‌ In the case of musical theatre, the Artist may be required to take part in up to eight
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Musical Theatre. Performing Artists engaged exclusively for a musical theatre work may be required to rehearse (prior to the first public performance) seven (7) hours out of a span of eight-and-a-half (8 1/2) hours per day, with a meal break of at least one-and-a-half (1 1/2) hours after no more than four (4) hours of rehearsal. During the last ten (10) days prior to the first public performance there may be four (4) days of eight (8) hours rehearsal out of a span of twelve
Sample 1Sample 2
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Musical Theatre. Backstage/Props Managers (3 positions) 821 837 854 Choreographer 000 000 000 Rehearsal Accompanist 709 723 737 Producer 1200 1224 1248 Sound 391 399 407 Lights 391 399 407 Costume Coordinator 564 575 587 Artistic Designer 550 561 572 Pit Conductor 550 561 572 Make-up Coordinator 244 249 254 Scherzo 2180 2224 2268 Select Band 2180 2224 2268 Select Chorus 2180 2224 2268 Jazz Ensemble 2180 2224 2268 Peer Mediation Coordinator 771 786 802 School Store 910 928 947 Ski Club Advisor 789 805 821 Stock Market Club 538 549 560 Student Council Advisor 1915 1953 1992 Talent Show Director 999 1019 1039 Yearbook Advisor 3343 3410 3478 Advisory Coordinator(s)* 671 684 698 *to be appointed by building principal Morning Announcements 714 728 743 Perfect Pals 510 520 530 Green Team 306 312 318 Treble Makers 765 780 796 Math Club 408 416 424 Coding Club 177 181 185 GSA 177 181 185 Spanish Club 177 181 185 German Club 177 181 185 French Club 177 181 185 Russian Club 177 181 185 Shaker Senior High School AFS Advisor (for Exchange Coordinator) 1356 1383 1411 Amnesty International 403 411 419 Best Buddies 566 577 589 Business Club 0000 0000 0000 Chess Club 408 416 424 CLASS ADVISOR: Freshman 1209 1233 1258 Sophomore 1209 1233 1258 Junior 1966 2005 2045 Senior 2708 2762 2817 Color Guard Director 599 611 623 Crew Advisor 481 491 501 Crew Coach 000 000 0000 Debate Society Advisor 4153 4236 4321 English Council 000 000 000 Environmental Club 403 411 419 Fantasy Problem Solving 340 347 354 Flute Choir 566 577 589 Shaker Friends Bowling 000 000 0000 Future Career & Community Leaders of America 449 458 467 Key Club Advisor 4740 4835 4932 International Club 0000 0000 0000 Jazz Band 2353 2400 2448 Jazz Ensemble Director 5995 6115 6237 Literary Magazine Advisor(s) 2078 2120 2162 Art Advisor 485 495 505 Marching Band Director 1513 1543 1574 Marching Band Assistant Director 000 000 000 Math Club 000 000 000 Model United Nations Club Advisor 959 978 998 Modern Dance Advisor 988 1008 1028 National Xxxxx Xxxxxxx Advisor 2363 2410 2458 Newspaper Advisor 2358 2405 2453 SADD 403 411 419 Science Olympiad 199 203 207 Select Chorus Director 5995 6115 6237 Shaker Light & Sound Variety Show Advisor 988 1008 1028 Shaker Broadcasting 770 785 801 Shaker Robotics 1795 1831 1868 Shaker Technical Director 3535 3606 3678 SHAKER THEATRE PROGRAM: Director- Children's Program 879 897 915 Director- Musical 6232 6357 6484 Director-Winter Production 3117 3179 3243 Shaker Theatre Orchestra Conductor 2258 2303 2349 ...
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Musical Theatre accompanist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . auditions (see also Auditions) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . auditions: singing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . chorus- . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . defined . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . extras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . first aid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . rehearsals: after opening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . rehearsals: conditions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . rehearsals: extended days . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . venue . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Negotiations i billing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . choreographer’sduties- . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . clothing: cleaning/upkeep . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . clothing: personal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . co-production transfer rider . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . collective bargaining II. iii directors: duties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . directors: royalties . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Equity, exclusive bargaining representative III. iii . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . guaranteed engagement contract . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . hair style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . joint production...
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