Non-Professionals Sample Clauses
The Non-Professionals clause defines and distinguishes individuals or entities who are not considered professionals within the context of the agreement. Typically, this clause clarifies that certain rights, obligations, or access to services or information are limited or modified for users who do not meet the criteria of a professional, such as retail investors versus institutional investors in financial agreements. By clearly outlining who qualifies as a non-professional, the clause ensures that the agreement applies appropriate terms and regulatory requirements, thereby reducing ambiguity and ensuring compliance with relevant laws or industry standards.
Non-Professionals. A “non-professional” is defined as a person who is not a member of Equity. Non-Equity members who are members of the ACTRA, UDA or any other performing artists' association or union may not be engaged as non-professionals.
Non-Professionals. (A) The Theatre may employ non-professionals (Equity Membership Candidates, students and local jobbers) who are not members of any branch of the 4 A’s and/or who are not members of a performers’ union outside the United States.
(B) The Theatre shall register with Equity each non-professional associated with its company within one week of engagement by filing the non-professional’s name and address and a statement, signed by the non-professional, that the non-professional is not a member of any branch of the 4 A’s nor is a member of a performers’ union outside the United States.
Non-Professionals. For the purpose of this Agreement, a non-professional is defined as a person who is engaged in the Chorus and is not a member of Equity or any other professional performing artists' association or union. Permit fees for non-professional singers engaged in a Bit role are as specified below, payable to Equity. Bit Role Permit Fees $76.48
Non-Professionals. Individuals who are not members of Equity or any other performing artists’ association or union may be engaged either:
(1) as Apprentices or certified students or Local Jobbers pursuant to the provisions of this Clause (see Clauses 1612(E)(1), 1612(F)(1), 1612(G), 1612(H)) or, in the case of children, as Local Jobbers; or
(2) by becoming members of Equity.
Non-Professionals.
1. The allowance of “non-professionals” (employment of actors or stage managers without an Equity contract) will be negotiated between the Producer and Equity.
2. If the employment of non-professionals is permitted, the Producer agrees to provide Equity with a list of all cast members’ names and last four digits of their social security numbers no later than the end of the first week of rehearsals. For each non-professional engaged in the production, including understudies, the Producer will submit to Equity a Non-professional Registration Form, provided by Equity, no later than one week after Equity notifies the Producer of the appropriate required form.
Non-Professionals. Except as provided below, PAC NYC shall employ all Employees on AGMA contracts (IAAs).
A. It is understood that the inclusion of civic alliances and community members is in service of essential aspects of PAC NYC’s mission of cultivating bonds between artists and communities, reflecting the energy and individuals of all five boroughs of New York City, and civic healing.
B. A Community Centered Production (CCP) is a production where the building and centering of community is the central focus of the production, realized by inclusion of non-professional community members, who may come from PAC NYC’s civic alliances, within the cast of the CCP in a meaningful ratio with AGMA Employees. A CCP may be a musical production or a dramatic production.
C. With the understanding that each CCP will be structured differently, AGMA and PAC NYC acknowledge that the minimum contractual terms of each CCP will be reviewed on a case-by-case basis, and both parties agree to discuss the applicability of non-professionals in these productions in good faith.
D. Promptly after selection of nonprofessionals to be added to the production and before rehearsals begin, PAC NYC shall provide AGMA with a list of those selected and a description of how they will be used onstage. All nonprofessionals must qualify in one of the following categories:
1. Persons prominent in civic and community affairs, who may appear in only one production during the season;
2. Pre-established local organized groups (i.e., a church choir, dance school group, etc.). A predetermined number of the members of such a group may be selected for participation, but any auditions held for that purpose shall be open only to that membership. Further, such group participation is contingent upon separate rehearsal of the group prior to integration into the production during rehearsals;
3. Children under 14 years of age, either individuals or groups, recruited from the local community and not performing leading or substantial supporting roles.
Non-Professionals. (A) The Theatre may employ non-professionals who are not members of any branch of the 4 A’s and/or who are not members of a performers’ union outside the United States.
(B) The Theatre shall register with Equity each non-professional associated with its company within one week of engagement by filing the non-professional’s name and address and a statement, signed by the non-professional, that the non-professional is not a member of any branch of the 4 A’s nor is a member of a performers’ union outside the United States.
(1) In University-connected Theatres, Theatres that are fully-accredited, degree-granting institutions, and Theatres that are formally associated with a University or other fully- accredited, degree-granting institution (hereafter called “Academic Theatres”), the non- professional status of bona fide students matriculated for a degree in Theatre Arts shall continue for as long as they are so matriculated. Should the student elect to register as an EMC, all provisions relating to the EMC shall apply.