Chapter 9 definition

Chapter 9 means Chapter 9, Texas Business & Commerce Code. “Chapter 551” means Chapter 551, Texas Government Code. “Chapter 1206” means Chapter 1206, Texas Government Code. “Chapter 1208” means Chapter 1208, Texas Government Code. “Chapter 1371” means Chapter 1371, Texas Government Code.

Chapter 9 means Chapter 9 (commencing with Section 901) of Title 11 of the United States Code.

Chapter 9 means Chapter 9 of Title 11 of the United

Examples of Chapter 9 in a sentence

• Disputes shall be resolved pursuant to the administrative rules promulgated in accordance with Section 201.112(a) of the Code, adopted by TxDOT in accordance with the Texas Administrative Procedure Act, and effective under Rule §9.2 of Subchapter A, Chapter 9, Part 1, Title 43 of the Texas Administrative Code and subject to (i) the procedures set forth in Sections 4.9 and 4.10 of the General Conditions and (ii) the requirements set forth in Exhibit 20 to this DBA.

• TO VALIDITY OF 26, The Board of Directors of the end prcsecute t o a diction under T i t l e Chapter 9, 48-52, bcth inclusive, of this 'and the thereof ...

• The Property Owner, notwithstanding any provision that may be construed to the contrary in this Agreement, must comply with any building, housing, electrical, mechanical, plumbing and gas codes subsequently adopted by the Town or other governmental entity, as authorized by Chapter 9 of Title 6 of the South Carolina Code.

• To the extent applicable, Contractor, shall comply, and shall ensure all Subcontractors comply, with all requirements of the most current version of the California Air Resources Board (“CARB”) including, without limitation, all applicable terms of Title 13, California Code of Regulations Division 3, Chapter 9 and all pending amendments (“Regulation”).

• The State of Texas desires to facilitate private sector participation in the development of the State’s transportation system via public-private partnership agreements, and to accomplish this purpose, the Texas Legislature has enacted Transportation Code, Chapter 223, Subchapter F (the “Code”), and TxDOT has adopted subchapter I in Chapter 9 of Title 43, Texas Administrative Code, relating to design-build contracts (the “Rules”).

More Definitions of Chapter 9

Chapter 9 means V.T.C.A., Business & Commerce Code, Chapter 9. “Chapter 551” means V.T.C.A., Government Code, Chapter 551. “Chapter 1201” means V.T.C.A., Government Code, Chapter 1201. “Chapter 1206” means V.T.C.A., Government Code, Chapter 1206. “Chapter 1208” means V.T.C.A., Government Code, Chapter 1208. “Chapter 1502” means V.T.C.A., Government Code, Chapter 1502. “Chapter 2256” means V.T.C.A., Government Code, Chapter 2256. “Chapter 2257” means V.T.C.A., Government Code, Chapter 2257.

Chapter 9 means Chapter 9, Texas Business & Commerce Code.

Chapter 9 means chapter 9, title 28, Idaho Code, as from time to time amended, including any successor provisions.

Chapter 9 means Chapter 9 of ITEPA.

Chapter 9 means Chapter 9, Texas Business and Commerce Code, as amended.

Chapter 9 means chapter 9 of title 11 of the United States Code, 11 USC 901 to 946.

Chapter 9. Somewhere in the Night,” American Cinema / American Culture. New York: McGraw-­‐Hill, 2005. p. 203. 99 Xxxxxx, “Somewhere in the Night,” p.185. non-touristy side of Vienna depicted in the film would have been a perfect setting for a film noir (as it is in The Third Man), especially at night. As Standún writes, “A significant element of the film noir is location. Usually, a film noir takes place in the back streets of a big city. In this case, it is Vienna, and it is noteworthy that the spectator is not introduced to the beautiful places in Vienna, but to sleazy, smoky bars, dirty inner courtyards and bleak, impersonal rooms. Murnberger uses this image to set the scene.”100 In addition, as Sobchack writes in “Lounge Time: Postwar Crises and the Chronotope of Film Noir,” “Although there are occasional houses in film noir, there are hardly any homes;”101 Xxxxxxx’x room is a perfect example of a shelter that lacks the cosy Gemütlichkeit of a home. The similarities between film noir and Come, Sweet Death suggest a comparable thematic engagement with disenchantment and societal upheaval, as well as conspiracy among the ambulance drivers. Just as post-war Americans were wrestling with the awareness that their world was changing, that old assumptions no longer applied, the Xxxxxxx films rupture the comforting old myths to which Austrians have clung, as will be further examined in Chapter Three.